Authors

• Aslan, Zaki Protective structures for the conservation and presentation of archaeological sites
• Baniotopoulou, Evdoxia Art for Whose Sake? Modern Art Museums and Their Role in Transforming Societies: The Case of the Guggenheim Bilbao
• Barker, Sue A preliminary assessment of drying waterlogged wood in a controlled temperature and humidity environment
• Black, Leon The atmospheric corrosion of lead: A surface study
• Brysbaert, Ann A Late Bronze Age sickle from Shinewater Park: The treatment of a waterlogged composite
• Cezar, Tody M. Calcium Oxalate:A Surface Treatment for Limestone
• Chui, Sue Ann Conservation of archaeological ceramics in situ: Grueby faience in the landmark 33rd Street IRT subway station
• Cleere, Chris L'Innocenza Perduta (Lost Innocence): Conserving a Carrara marble statue
• Conners, Sandra The historic significance, composition, and degradation of Vulcanized natural rubber in museums
• Dirksen, Vicki The degradation and conservation of leather
• Dube, Liz Designing a preservation planning project for Carlsbad Caverns National Park archives
• Fairbrass, Sheila Effect of cleaning on the surface morphology of plastics
• Fallon, Tad Technical study of an eighteenth-century rush-seat side chair
• Faltermeier, Robert B. Testing corrosion inhibitors for the conservation of archaeological copper and copper alloys
• Farmakalidis, Helen V. Consolidation of wall plaster with calcium caseinate
• Francis, Robin The People's Show: A critical analysis
• Gottschaller, Pis Max Beckmann's painting techniques
• Heginbotham, Arlen The examination and treatment of a seventeenth-century German strongbox
• Hood, Maggie Assessment of EDTA as a cleaning reagent for stained glass weathering products
• Howard, Helen The techniques of English medieval wall painting: New discoveries and conservation implications
• James, Erica; Miller, Alexis; Seifen, Charlotte; Smith, Lauren The Genus of Art: Focus on materials, techniques, and treatment of a Howard Pyle mural
• Loh, Jacinta Boon Nee Decision from Indecision: Conservation of Thangka: Significance, Perspectives and Approaches
• Loizides, Eleni A. Chromatographic studies of drying oils
• Maya, Celina C. Siqueiros and his search for modern materials
• Moore, Michelle Conservation Documentation and the Implications of Digitisation
• Moynehan, Chris Conservation of aluminium and its alloys
• Nadolny, Jilleen Tin-relief decoration and medieval European art, 1250-1550
• Nason, Gill Environmental monitoring of the Great Painted Staircase at Knole
• Patridge, Wendy The nineteenth-century conservation of some early Italian paintings: Philosophies and taste
• Pender, Robyn Moisture beneath the surface: Effects of the exterior environment on porous materials
• Peters, Dale Our environment ruined? Environmental control reconsidered as a strategy for conservation
• Raikes, Susan Is collection management an 'art' or a 'science'? (Discussed with reference to recent standards setting initiatives in the United Kingdom)
• Richardson, Tracy C. A new technique for the casting of missing areas in glass restoration
• Sabin, Richard Museums and their websites: an examination of how museums are coping with the challenge of the World Wide Web
• Sisson, Laurence I. The history and use of leather dressings in library and archival collections
• Strickler, Gerri A. An investigation into the use of cyclododecane in objects conservation
• Toledo, Franciza and Price, Clifford A note on tropical, hot, and humid museums
• Turner, Victoria The Factors Affecting Women's Success in Museum Careers: A Discussion of the Reasons More Women Do Not Reach the Top, and of Strategies to Promote Their Future Success
• Usman, Lisa The identification and treatment of a unique cache of organic artefacts from Menorca's Bronze Age
• Whitmarsh, Andrew "We Will Remember Them" Memory and Commemoration in War Museums
• Wolfe, Julie Metalworking techniques of Iron Age fibulae from southern Italy

The methods, techniques, and conclusions found in individual papers are the work and responsibility of the author of the paper, and should in no way be thought to represent the opinion or endorsement of either the Journal of Conservation & Museum Studies, the Institute of Archaeology, or University College London. No liability or contract is accepted or implied by the publication of these data.

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