THE FIRE AT THE ROYAL SASKATCHEWAN MUSEUM, PART 2: REMOVAL OF SOOT FROM ARTIFACTS AND RECOVERY OF THE BUILDING
SARAH SPAFFORD-RICCI, & FIONA GRAHAM
CCI. 1990. Analysis of soot from fire at Saskatchewan Museum of Natural History. Analytical report ARS 2861, file 5030-13, February 22, 1990. Canadian Conservation Institute, Ottawa, Ontario, Canada.
Fuchs, L.1980. A study of the effects of various cleaning methods on the oil content of goose down. M.Sc. diss., University of Alberta, Edmonton, Alberta, Canada.
Green, S. W., and P. S.Storch. 1982. An evaluation of feather cleaning techniques. Symposium 86: The care and preservation of ethnographic materials proceedings, ed. R. Barclay, M. Gilberg, J. C. McCawley, and T. Stone. Ottawa, Ontario, Canada: Canadian Conservation Institute. 22–30.
Hawks, C.1990. Personal communication. Smithsonian Institution, Washington, D.C.
Henry, A. E.1995. Personal communication. A. E. Henry Enr. Paintings Conservation, Montreal, Quebec, Canada.
Johns, G. S.1991. Personal interview. Johns Construction Ltd., Regina, Saskatchewan, Canada.
Moffatt, E.1992. Analysis of “chemical sponges” used by the commercial fire cleanup industry to remove soot from various surfaces. IIC-CG Bulletin17(3):9–10.
Selick, M.1996. Soot. Conservation distribution list message, posted August 1, 1996. Toronto, Ontario, Canada.
Spafford-Ricci, S., and F.Graham. 2000. The fire at the Royal Saskatchewan Museum. Part 1. Salvage, initial response, and the implications for disaster planning. Journal of the American Institute for Conservation39:15–36.
Williams, R. S.1990. Personal communication. Canadian Conservation Institute, Ottawa, Ontario, Canada.
SOURCES OF MATERIALSDry cleaning sponge, soot sponge, or chemical sponge (vulcanized cis-1,4-polyisoprene, calcium carbonate filler)
517 Main St.
P.O. Box 101
Holyoke, Mass. 01041Glass beads (B.T. 13)
1036 Matheson Blvd.
Canada L4W 2T9GP 2000 (proprietary alkaline, hard-surface cleaner)
Esteam Cleaning Systems
1159 40th Ave., NE
Canada T2E 6M9Groom/Stick (vulcanized cis-1,4-polyisoprene), Japanese Hake brush (sheep hair), Orvus W.A. Paste (sodium lauryl sulfate), Scum-X (vulcanized hydrocarbon rubber), and Vulpex (potassium methyl cyclohexyloleate)
New York, N.Y. 10012Kilz (proprietary sealant)
Masterchem Industries, Inc.
P.O. Box 368
Barnhart, Mo. 63012
distributed in Canada by General PaintWebril Wipes (100% cotton)
Veratech (Canada) Inc.
Graphic Arts Products
Toronto, Ontario, Canada M4B 1X2
SARAH SPAFFORD-RICCI received a B.Sc. from the University of Saskatchewan in 1984 and a master of art conservation from Queen's University in 1986. She was conservator at the Royal Saskatchewan Museum from 1987 to 1991 and then was conservator at the MacKenzie Art Gallery, Regina, until 1997. She has studied and worked in conservation laboratories of the Glenbow Museum, Royal Ontario Museum, and the National Gallery of Canada. In 1998, she entered into partnership in a private conservation laboratory, Fraser Spafford Ricci Art and Archival Conservation Inc. in South Surrey, Canada. Address: 2276 134th St., South Surrey, British Columbia, Canada, V4A 9T9; firstname.lastname@example.org
FIONA GRAHAM received a B.A. (Honors) in 1987 and a master's degree in conservation from Queen's University in 1989. She participated in fire recovery during a one-year position at the Royal Saskatchewan Museum She has worked as a conservator for the Mus�e de Beaux-Arts de Montr�al, the Centre de Conservation du Quebec, and the National Gallery of Canada, among others. From 1992 to 1997, she served as collections preservation adviser for the Heritage Services Division, Canadian Conservation Institute. She is currently conservation adviser for the Ontario Ministry of Citizenship, Culture and Recreation in Toronto, Canada. Address: Heritage and Libraries Branch, Cultural Programs Branch, Ministry of Citizenship, Culture and Recreation, Government of Ontario, 400 University Ave., 4th Floor, Toronto, Ontario, Canada M7A 2R9; e-mail: email@example.com