THE AMERICAN ARTIST'S TOOLS AND MATERIALS FOR ON-SITE OIL SKETCHING
ALEXANDER KATLAN
NOTES
1. The term “stencil mark,” not “canvas mark,” is used, as these colormen marks have been found on stretchers, panels, and frames as well as canvases. Although it is correct that the majority of these marks have been found on canvases, I believe that the term “stencil mark” is a more descriptive term as it describes the process of application onto the canvas, stretcher, panel, or frame. “Canvas mark” implies only canvas.
2. American manufacturing of artists' pigments appears to have begun in the early 19th century when Cholwell & Mercein had a “manufactory” of watercolors located at 178 Front Street, New York, N.Y.
REFERENCES
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FURTHER READING
Katlan, A. W.1992. American artists' materials, vol.2: A guide to stretchers, panels, millboards and stencil marks. Madison, Conn.: Sound View Press.
Turner, J.1992. Brushes: A handbook for artists and artisans. New York: Design Press.
AUTHOR INFORMATION
ALEXANDER W. KATLAN is an independent painting conservator in New York City. He holds a B.A. from Lake Forest College, an M.F.A. in painting conservation from Villa Schifanoia in Florence, Italy, and an M.A. in art history from Queens College, City University of New York. His research has emphasized 19th-century American art materials. Address: 56-38 Main St., Flushing, N.Y. 11355
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