ecclesiastical bindings
A German style of bookbinding in the medieval
fashion which became very popular in England
following the marriage of Queen Victoria and
Prince Albert in 1840. It was used especially for
devotional and theological works. Its principal
features included thick, heavy, bevelled boards
(occasionally papier-mâché was
substituted for wood), which were sometimes
bevelled only in the middle of each edge, leaving
the corners in full thickness. The books were
covered in either calfskin of a khaki or brown
color or brown morocco and were heavily tooled in
blind or black, often with the medieval
thin-thick-thin triple fillet. The bindings had OXFORD CORNERS ,
bright red edges (or gilt over red, and sometimes
dull gilt edges which were thenGAUFFERED ), heavily
rounded spines and marbled endpapers in the Dutch
pattern. The books were sometimes fitted with
clasps. While the bindings were generally well
executed, the unusually heavy boards frequently
caused the cords to break, resulting in the text
block falling out of the hollow-backed "case."
Also called "antique," "monastic," or "divinity"
bindings. (236 )