Association of Print Scholars symposium

Association of Print Scholars Inaugural Symposium
Hunter College (Hunter West 615)
695 Park Avenue
New York, NY
November 7, 2015
10 am - 6 pm

Entrance On Lexington Avenue, Between 67th and 68th Streets

This symposium will present new critical ideas and research about
printmaking.  The morning session features graduate students
speaking about dissertation research.  The afternoon panel, titled
"Method, Material And Meaning: Technical Art History and The Study
of Prints," centers on the relationship between the technical
choices made by printmakers, printers, or publishers in order to
rethink the connections between process, material, and meaning in
the graphic arts.

For further information and registration (recommended but not
required), please visit

    <URL:https://printscholars.org/aps-inaugural-symposium/>

or contact symposium<-at->printscholars<.>org.

    Graduate Lighting Round: 10am - 12pm
    Moderator: Marilyn Symmes, Independent Scholar and Curator

        Ruth Ezra
        Harvard University
        "The Sculptural Engravings of Veit Stoss (ca. 1500)"

        Casey Lee
        Queen's University
        "Dutch Artists and Their Collections of Works on Paper,
        1600-1750"

        Emily Floyd
        Tulane University
        "Matrices of Devotion: Seventeenth- and Eighteenth-Century
        Limenian Devotional Prints and Local Religion in the
        Viceroyalty of Peru"

        Nicole Simpson
        The Graduate Center, CUNY
        "Prints on Display: Exhibitions of Etching and Engraving in
        England, 1770-1858"

        Sarah Buck
        Florida State University
        "Printmaking Practices and Collecting Habits: the
        Circulation of the Costumes Grotesques (ca. 1688-1695) in
        the Eighteenth and Nineteenth Centuries"

        Kate Addleman-Frankel
        University of Toronto
        "Dividing Lines: The Photogravures of Edouard Baldus"

        Nikki Otten
        University of Minnesota,
        "Monsters of the Microscope: Symbolist Representations of
        Germs and Disease"

        Allison Rudnick
        The Graduate Center, CUNY
        "Printmaking Practices in West Germany, 1964-1975"

        India Rael Young
        University of New Mexico
        "Cultural imPRINT: Contemporary Northwest Coast Native Art
        in Print"

    Afternoon Scholarly Session: 1:30 - 5pm
    "Method, Material and Meaning: Technical Art History and the
    Study of Prints"

    First Panel: 1:30 - 3pm

        Iris Moon
        Pratt Institute
        "Broken Transmissions: Stylistic and Technical Ruptures in
        the Prints of Jean-Baptiste and Victor Pillement"

        Anne Verplanck
        Penn State University
        "'He inherited these traits': Portraiture and Memory"

        Ad Stijnman
        Herzog August Library
        "It's All About Matter: Thinking from the Perspective of the
        Printmaker"

        Coffee Break: 3 - 3:30pm

    Second Panel: 3:30 - 5pm

        Thomas Primeau
        Baltimore Museum of Art
        "From Drawing to Print: The Transfer Lithographs of Henri
        Matisse"

        Elizabeth Wyckoff
        Saint Louis Art Museum and Yelizaveta Sorokin
        Harvard Art Museums
        "Through Hell and Back: A Conservation and Materials Study
        of Max Beckmann's Works on Paper in the Collection of the
        Saint Louis Art Museum"

        Claire Whitner
        Davis Museum at Wellesley College
        "Between the Copper Plate and Bronze Cast: Kathe Kollwitz's
        Woodcuts and the Sculptural Shift"

    Respondent: 5:00 - 5:30
    Susan Tallman, Editor, Art in Print

    Reception: 5:30

The APS Inaugural Symposium is the first event of a two-part series
held in collaboration with Ars Graphica.  The series, entitled "New
Impressions: Emerging Research on Prints," aims to shed light on
innovative research currently being completed around the globe about
the graphic arts.  The second part of the series, sponsored by Ars
Graphica, will take place in Spring 2016 at the Instituto Centrale
per la Grafica in Rome and will feature the theme "Curating graphic
arts! Le arti grafiche al museo."

Support for the APS Inaugural Symposium provided by the
International Fine Print Dealers Association.


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