Subject: Symposium on object-event-peformance since the 1960s
"Revisions: Object - Event - Performance since the 1960s" Bard Graduate Center, Lecture Hall Monday, September 21, 2015 11:15am - 6:00pm In the 1960s, the art world and its objects began to experience a dramatic shift in what and how art can be. New modes of artistic expression articulated through Fluxus activities, happening, performance, video, experimental film and the emerging practices of media art questioned the idea of a static object that endures unchanged and might thus be subject to a singular interpretation. Different from traditional visual arts, the blending genres and media in art since the 1960s began to transform not only curatorial and museum collecting practices, but also the traditional function and mandate of conservation, now augmented to accept the inherent dynamism and changeability of artworks. Can Fluxus be musealized? How to conceive of the afterlives of performance? How to negotiate the continuity of experimental film in between the visual and cinematic cultures? How to locate new media beyond the paradigmatic singularity and uniqueness of traditional "objects?" Can the notion of conservation be sustained? Engaging in what might be called an expanded curatorial and conservation discourse, this symposium brings together international scholars in visual and performing arts, film, media, curatorial and conservation studies to debate aspects of continuity and change in artworks on the occasion of the Focus Gallery exhibition Revisions-Zen for Film. Symposium program 11:15 - 11:25am Introduction 11:25am - 12:00pm "Zen for Film: Object, Event, Performance, Process" Hanna Halling 2013-2015 Andrew W. Mellon Visiting Professor, Cultures of Conservation, Bard Graduate Center Visiting Scholar, MPIWG, Berlin 12:00 - 1:30pm Lunch Break 1:30 - 2:05pm "Between Objects and Performance: Translating Artworks at the Contemporary Art Museum" Glenn Wharton Clinical Associate Professor Museum Studies, New York University 2:05 - 2:40pm Hannah Higgins Professor Chair of Art History, University of Illinois, Chicago Reperformance: A Typology 2:40 - 3:15pm Coffee Break 3:15 - 3:50pm "Restart: A Curatorial Perspective on Generative and Variable Media Art Works" Sarah Cook Reader and Curator University of Dundee 3:50 - 4:25pm "Philosophical Toys: Marcel Duchamp, Robert Breer and the Problem of the Moving Image for Institutions of Postwar Art" Andrew V. Uroskie Associate Professor, Director of Graduate Studies MA/PhD Program in Modern Art History, Criticism and Theory, Stony Brook University 4:25 - 5:30pm Panel Discussion 5:30 - 6:00pm Reception To RSVP please visit <URL:http://www.bgc.bard.edu/news/upcoming-events/revisions-symposium.html> call 212-501-3019, or email academicevents<-at->bgc<.>bard<.>edu For the exhibition, please see: <URL:http://www.bgc.bard.edu/gallery/gallery-at-bgc/revisions.html> For the accompanying publication, please see: <URL:http://www.press.uchicago.edu/ucp/books/book/distributed/R/bo22329261.html> Elina Bloch, Ph.D. Associate Director for Research Programs Bard Graduate Center Decorative Arts, Design History, Material Culture 38 West 86th Street New York NY 10024 212-501-3076 Fax: 212-501-3065 *** Conservation DistList Instance 29:17 Distributed: Sunday, September 13, 2015 Message Id: cdl-29-17-016 ***Received on Friday, 11 September, 2015