![[CoOL]](/icons/sm_cool.gif){kind=icon}
Subject: Workshop: TechFocus III--addendum
TechFocus III: Caring for Software-based Art September 25-26, 2015 Solomon R. Guggenheim Museum, New York See: <URL:http://cool.conservation-us.org/cool/techfocus/techfocus-iii-caring-for-computer-based-art-software-tw/> Program Day 1: Friday Sept. 25, 2015 8:30 - 9:30am Breakfast, registration and laptop prep for Day 2 Practical Sessions 9:30 - 9:40 Welcome Helen Bailey Chair of the Electronic Media Group (EMG) of the American Institute for Conservation of Historic and Artistic Works (AIC); Digital Curation Analyst MIT Libraries 9:40 - 10 Approaching the Challenge: Caring for Software-based Art in Museum Collections Joanna Phillips Time-based Media Conservator Solomon R. Guggenheim Museum 10 - 10:30 The Evolution of Software-based Art: A History of Art Production and Curatorial Practice Christiane Paul Associate Professor School of Media Studies at The New School; Adjunct Curator of New Media Arts at the Whitney Museum of American Art 10:30 - 11 The History of Technology underlying the Evolution of Software-based Art Mark Hellar Principal Hellar Studios LLC 11 - 11:30 Coffee Break 11:30 - 12pm The Anatomy of the Artwork: Dissecting Software-based Art Mona Jimenez Associate Arts Professor Associate Director, Moving Image Archiving and Preservation, Tisch School of the Arts, New York University 12 - 12:30 Case Study #1: Acquiring and Documenting Jurg Lehni's "Viktor" (2006-) Martina Haidvogl Advanced Fellow in the Conservation of Contemporary Art SFMOMA 12:30 - 1 Case Study #2: Examination and Code: Analysis of Siebren Versteeg's "Untitled Film 2" (2006) Brian Castriota Samuel H. Kress Fellow in Time-based Media Conservation Solomon R. Guggenheim Museum Mia Matthias Minor in Web Programming and Applications, Class of 2015 New York University Jiwon Shin Major in Computer Science, Class of 2016 New York University Abu Dhabi Caroline Slason Minor in Web Programming and Applications, Class of 2015 New York University 1 - 2:30 Lunch Break 2:30 - 3 Identifying the Artwork's Significances and Work-defining Properties Panel with artists Jurg Lehni and Siebren Versteeg 3 - 3:30 Case Study #3: Preparing for Exhibition: Feng Mengbo "Long March: Restart" (2008) Ben Fino-Radin Digital Repository Manager MoMA Kate Lewis, Media Conservator, MoMA 3:30 - 4 Case Study #4: Virtualizing John Gerrard's "Sow Farm" (2009), or not? Patricia Falcao Time-Based Media Conservator, Tate Annet Dekker Researcher Digital Preservation, Tate 4 - 4:30 Coffee Break 4:30 - 5 Preserving 2000 Net Artworks: Practical Approaches to Object Identification, Risk Assessment and Permanent Access at Scale Dragan Espenschied Digital Conservator Rhizome 5 - 5:30 Assessing Risks and developing Conservation Strategies Panel with Day 1 speakers Day 2: Saturday Sept. 26, 2015 8:30 - 9:30am Breakfast, registration and laptop prep for Day 2 Practical Sessions 9:30 - 11 Practical Session: Bring your own laptop Part I: Understanding Code as the Foundation of Software-based Art: Coding Exercise in "Processing" Part II: Introduction to the Concept of Version Control as a Preservation and Documentation Tool for Software-based Art: Exercises employing "GitHub" Deena Engel Clinical Professor and Associate Director of Undergraduate Studies for the Computer Science Minors programs, Department of Computer Science, Courant Institute of Mathematical Sciences New York University Mark Hellar Principal Hellar Studios LLC 11 - 11:30 Coffee Break 11:30 - 1pm Practical Session: Bring your own laptop Part III: Creating Disk Images of Software-based Artworks Part IV: Storing and Accessing Disk Images through Emulation Ben Fino-Radin Digital Repository Manager MoMA 1- 2:30 Lunch Break 2:30 - 3 Disk Image-and then what? Sustainable Long-Term Storage and Access Helen Bailey Digital Curation Analyst, MIT Libraries 3-3:30 The Documentation of Artists' Source Code as a Preservation Tool Deena Engel Clinical Professor and Associate Director of Undergraduate Studies for the Computer Science Minors programs, Department of Computer Science, Courant Institute of Mathematical Sciences New York University Glenn Wharton Clinical Associate Professor of Museum Studies New York University 3:30 - 4 The Documentation of the Audiovisual Output and Interactive Experience Agathe Jarczyk Lecturer, Bern University of the Arts Owner, Studio for Video Conservation 4 - 4:30 Coffee Break 4:30 - 5:15 The Integration of Software-based Art into the Collection Management Establishment Panel with Annet Dekker, Martina Haidvogl, Kate Lewis and Joanna Phillips 5:15 - 5:45 Conclusion Panel with Day 2 speakers Register by going to <URL:http://www.conservation-us.org/TechFocus3> Abigail Choudhury Development and Education Coordinator Foundation of the American Institute for Conservation of Historic and Artistic Works 1156 15th Street NW, Suite 320 Washington DC 20005-1714 202-661-8070 Fax: 202-452-9328 *** Conservation DistList Instance 29:8 Distributed: Wednesday, July 15, 2015 Message Id: cdl-29-8-010 ***Received on Tuesday, 7 July, 2015