Subject: Seminar on Willem Van de Velde drawings
Technical study of Van de Velde drawings: exploring workshop practices and techniques in seventeenth-century century marine art. In the seventeenth century the Willem Van de Veldes, father and son, worked together as marine draftsmen for the Dutch government and the English Court, leaving one of the largest legacies of drawings from the Dutch Golden Age. They drew at sea and in the studio, combining traditional drawing methods with inventive innovations to create the final commissioned works on panel and canvas. The drawing process became a means to understand the sequence of events in a battle at sea, the anatomy and movement of ships, and a study on perspective and natural elements. The National Maritime Museum, who holds the largest collection of drawings by the artists (over 1400), is currently embarked on a two-year conservation and research project funded by the Esmee Fairbairn Foundation exploring the materials and techniques used in van de Velde drawings. Technical research presented in this seminar aims to provide a deeper understanding of the making, purpose and authorship of these drawings. Additionally, expert contributions from curators, scientists and conservators, will further explore the use of drawings in the wider context of seventeenth century marine art. The Seminar coincides with the monographic exhibition van de Velde drawings: reflecting on artist's studio practices and conservation (1 September - 30 November, 2013), and the van de Velde paintings rehang, both held at the Queen's House, Royal Museums Greenwich. 5 September 2013 Queen's House Orangery and Parlours Organiser: Royal Museums Greenwich, London Cost: UKP30 including buffet lunch in the Queen's House Programme The van de Velde drawings in the context of the Royal Museums Greenwich 10.00 Welcome and overview 10.10 The van de Velde drawings in the context of the Queens House Christine Riding, Senior Curator of Paintings, Royal Museums Greenwich 10.30 Tea Break History, studio practices, materials and techniques 11.00 The van de Veldes at work: studio practices, materials and techniques Clara de la Pena McTigue, Prints and Drawings Conservator, Royal Museums Greenwich 11.30 Pen fights: drawing, the van de Veldes and the battle for 'truth' in late Stuart England Dr Sarah Monks, Lecturer in European Art History, School of Art History and World Art Studies, University of East Anglia 12.00 Seventeenth century marine draftsmen: Technical comparison between the art of van der Meulen and the van de Veldes Andre le Prat, former Head of Paper Conservation, Musee du Louvre 12.30 Seathwaite Wad: the original pencil Barbara Murray, Technical Manager at Derwent Pencils 13.00 Lunch break and exhibition viewing (Queen's House) Examination and Treatment 14.30 Examination, treatment and display of van de Velde drawings Clara de la Pena McTigue, Prints and Drawings Conservator, Royal Museums Greenwich 15.00 Micro-fading testing (MFT) as an aid to treatment and display: analysis performed on van de Velde drawings Dr. Jacob Thomas, Research Assistant at Jagiellonian University 15.30 Tea Break The Art of the van de Velde, wider context and influences 16.00 Willem Van de Velde the Elder and the pen paintings technique Friso Lammertse Curator of Old Master paintings, Museum Boijmans Van Beuningen 16.30 Who is van de Velde? Maritime art and the Dutch tradition in eighteenth-century Britain Dr Richard Johns, Curator of Prints and Drawings, Royal Museums Greenwich 17.00 Panel discussion 17.25 Closure and future initiatives Workshop: In addition to the seminar, Dr. Jacob Thomas will be running two half-day workshops on micro-fading testing on 6 September, 2013 at 10.00 and 14.00. The workshops are free to those who have attended the seminar. Please note there is limited capacity for these two workshops (maximum 10 per workshop). The exact schedule and contents are still to be confirmed, but likely to include: Introduction to MFT history and applications (20 minutes) Instrumentation demystified (40 minutes) Comfort break (10 minuntes) Hands-on use of MFT (90 minutes) Interpretation of results (90 minutes co-incident with hands on) Discussion and wrap up (20 minutes) As current museum programmes facilitate increasing access to collections through exhibitions and loans, conservation professionals are faced with the challenge of how to best protect very light sensitive objects on display for future generations. Microfadeometers (MFT) have been developed and adapted in museum environments to measure light sensitivity. Light fading rates can be measured on individual materials and colours by focusing a beam of very intense light on specific colours or relevant areas. This half-day workshop, offered to attendants of the van de Velde conference, will focus on the technical aspects of MFT and how it can be used to inform decision making with respect to display/lighting/loan policy in museums. The technique will be demonstrated on NMM objects under the expert guidance of Dr. Jacob Thomas, Research Assistant <jagiellonian university>. For more information and to book a place please contact the Research Department Executive Royal Museums Greenwich: +44 20 8312 6772 research<-at->rmg<.>co<.>uk Birthe Christensen Head of Conservation and Preservation Royal Museums Greenwich National Maritime Museum Royal Observatory Greenwich The Queen's House Cutty Sark Greenwich, London SE10 9NF direct +44 208 312 6504 *** Conservation DistList Instance 27:7 Distributed: Wednesday, July 31, 2013 Message Id: cdl-27-7-014 ***Received on Monday, 22 July, 2013