Subject: Conference on technology and conservation of modern materials in design
Future Talks 013 Lectures and Workshops on Technology and Conservation of Modern Materials in Design Pinakothek der Moderne Munich, Germany October 23-25, 2013 The Conservation Department, Die Neue Sammlung - The International Design Museum Munich - is pleased to announce its third international Future Talks conference: "Future Talks 013: Lectures and Workshops on Technology and Conservation of Modern Materials in Design". After an overwhelming response to our last two Future Talks conferences Future Talks 009, Future Talks 011 <URL:http://www.die-neue-sammlung.de/event/?lang=en> we are looking forward to another exciting three-day-congress on international research projects and case studies on active conservation treatments and technology of modern materials in design. Lectures: Recent advances in this field, addressing technology, design and production processes of modern materials, new and innovative treatment methods for degrading plastics as well as current research and ongoing projects will be presented. During the three day conference experts from all over the world will share their experiences and knowledge in this field. Knowing very well that the conservation of modern materials is not only limited to design objects, a part of the programme is dedicated to conservation projects on modern/contemporary works of art. Workshops: In addition to two days of lectures this time one entire day is dedicated to a number of exciting workshops, closely connected to everything you'd always wanted to learn about conservation of modern materials but never dared to ask. It is with great pleasure that we can already confirm the participation of following experts in these fields. These include amongst others: Univ.-Prof. Dr.-Ing. Christian Bonten Universitat Stuttgart, Institut fur Kunststofftechnik Prof. Anna Comiotto Hochschule der Kunste Bern Dr. Virginia Costa Institut National du Patrimoine, Paris Dr. Brenda Keneghan Polymer scientist, Victoria and Albert Museum London Anna Lagana Freelance modern material conservator/researcher, Amsterdam Dr. Thea van Oosten Formerly senior researcher, research department, Netherlands Institute for Cultural Heritage ICN, Amsterdam Dr. Yvonne Shashoua Senior researcher, research department, National Museum of Denmark Prof. Dr. Phil. Friederike Waentig Cologne University of Applied Sciences Panel Discussion: It is with great pleasure that one of the most famous and innovative German designers Konstantin Grcic will talk about his designs with experts from the plastics industry, plastics engineers and conservators about design and sustainability of plastic furniture. Save the date: The conference will take place from October 23-25, 2013 at the Pinakothek der Moderne in Munich, Germany, The conference and associated publication will be in English. There will also be social events and opportunities to visit local conservation studios, research labs, plastic producers and design studios on Saturday October 26, 2013. We very much appreciate the participation of students, scientists, conservators and curators. The conference and the associated publication will be in English. The eagerly awaited publication FT 011 will be available at the conference. Organizer: The Conservation Department of Die Neue Sammlung, The International Design Museum Munich (<URL:http://www.die-neue-sammlung.de>). Die Neue Sammlung houses the world's largest and most important collection of industrial design. The large number of objects reflects the technologies and materials developed in the course of the 20th and 21st century, attesting in particular to the use of plastics. However, unlike most traditional materials these are subject to a dynamic aging process and after only a short time often already bear irreversible traces of their age. Corresponding types of damage can hardly be reconciled with the respective designer's original intentions and are often problematic in terms of conservation. Since its founding in 2002, the Conservation Department has become an important hub for the conservation and maintenance of modern design objects, through research into the deterioration and preservation of the collections, the development of new conservation processes and the knowledge of its original technology. It also plays an active role in networking and information sharing. Both knowledge and network expanded to the FUTURE TALKS, an international platform, initiating an intensive and profound discourse on practical conservation treatments of modern materials. Bookings: Online bookings will be accepted by June 1, 2013 (<URL:http://www.die-neue-sammlung.de/event/>) Registration and payment must be transferred to Die Neue Sammlung bank account (see below) not later than October 1, 2013 (exception early bird). Numbers for the conference and workshops are limited and early registration is advised. Register as soon as possible to avoid disappointment. Please note that registration is required. Terms and Conditions see: <URL:http://die-neue-sammlung.de/event/> Conference fee (3 day-ticket, including workshop session and panel discussion): The registration fee is graduated. Please note there is a higher fee if you register after June 30, 2013. Early bird (booking and payment until June 30, 2013): Euro 250,00 after June 30, 2013: Euro 300,00 Students: Early bird (booking and payment until June 30, 2013): Euro 100,00 after June 30, 2013: Euro 150,00 Evening reception (October 24, 2013): Euro 40,00 (includes an open buffet and free drinks) Account Details: Account holder: Bayerische Staatsoberkasse Account number: 1190315 Bank code: 700-500-00 Bank: Bayerische Landesbank Munchen IBAN: DE 7570-0500-0000 0119 0315 SWIFT: BYLADEMM Annotation: 2511-1500-1724 / name of participant Lectures (subject to change) Discolouration of plastic objects. Investigation into composition using various analytical techniques. Suzan de Groot, Henk van Keulen, Luc Megens, Thea van Oosten, Henk Wiersma Cultural Heritage Agency of the Netherlands (RCE), Amsterdam, The Netherlands Non-invasive investigation of aged resins using unilateral NMR Cindie Kehlet, Eleonora Del Federico, Amelia Catalono Pratt Institute, New York, USA. Investigation of plastic objects with computed tomography Roberta Verteramo, Daniele Regge, Matteo Poli, Simone Mazzetti Institute for Cancer Research and Treatment, Candiolo, Italy Replacement of deteriorated polyurethane padding foam Anna Lagana, Suzan Mayer, Suzan de Groot, Thea van Oosten Cultural Heritage Agency of the Netherlands (RCE), Amsterdam, The Netherlands Application of aminoalkylalkoxysilane consolidant on polyurethane ester foam Lucille Royen, Eleonora Pellizzi Institut National du Patrimoine (INP), Paris, France Polyurethane foam at the Triennale Design Museum. Case studies. Francesca Caterina Izzo, Barbara Ferriani, Elisabetta Zendri, Silvana Annichiarico, Paola Biocca, Henk van Keulen University Ca Foscari of Venice, Venice-Mestre, Italy Triennale Design Museum, Milan, Italy Cultural Heritage Agency of the Netherlands (RCE), Amsterdam, The Netherlands Waving the flag Susanne Graner, Luise Lutz Vitra Design Museum, Weil am Rhein, Germany The historical collection of the ADI Compasso d'oro. Three case studies Enrico Morteo, Giovanni Cutolo, Sandra Vazquez ADI Compasso d'Oro Collection Foundation, Milan, Italy Foundation Centro per la Conservazione e il Restauro dei Beni Culturali (CCR), Turin, Italy The invisibility of the support and its restoration, bonding of a large plate of PMMA Francois Duboisset, Sylvie Ramel, Paris, France Practical aspects on testing and use of adhesives on polystyrene Thea Winther, Judith Bannerman, Hilde Skogstad, Lena Wikstrom, Tom Sandstrom, Ulrika Brynnel Swedish National Heritage Board, Stockholm, Sweden The Royal Institute of Technology (KTH), Stockholm, Sweden Research Institute Swerea KIMAB, Kista, Sweden Effects of cleaning gel systems on PVC: new insights. Clementine Bollard, Sara Kuperholc, Nathalie Balcar, Gilles Barabant Atelier Curial, Paris, France Centre de Recherche et de Restauration des Musees de France, Paris, France Reversible airbrush retouching on faded grP objects. Michaela Tischer, Julia Reischl Die Neue Sammlung, The International Design Museum Munich Technische Universitat Munchen, Germany Panton chair made of Luran S. Can cracks be joined? Delia Muller-Wusten Contemporary Conservation Ltd., New York, USA The vitreous man from 1936 of the Deutsches Hygiene Museum Dresden Florian Albrecht, Jakob Fuchs, Ursula Haller, Ulrike Schauerte Clay as design material Silvia Di Giorgio, Tim Bechthold Die Neue Sammlung, The International Design Museum Munich Catalin: a thermosetting plastic Julia Gredel Munich, Germany How to restore 20 pristine Corian sculptures? A hands-on approach. Katharina Haider Bacon Studios, Berlin, Germany The versatile synthetic polymer Polycaprolactone used by Matthew Barney Giuliana Moretto Contemporary Conservation Ltd., New York, USA Workshops (subject to change) Cleaning plastics-from theory to practice Yvonne Shashoua, Senior Researcher National Museum of Denmark Clementine Bollard, Freelance Conservator, Paris, France Sara-Zoe Kuperholc, Freelance Conservator, Paris, France Low-budget 3D-scanning and printing Anna Comiotto Professor, Hochschule der Kunste Bern, Switzerland Bonding plastic with engineers aid (working title) Christian Bonten Professor, Universitat Stuttgart, Institut fur Kunststofftechnik, Germany Friederike Waentig Professor Cologne University of Applied Sciences, Germany Contemporary metals. Properties and deterioration of alloys and coatings. Virginia Costa Institut National du Patrimoine, Paris, France Surveying of plastic collections Brenda Keneghan, polymer scientist Victoria and Albert Museum London, UK Sylvie Ramel Freelance Conservator, Paris, France The conservation of PUR foams Anna Lagana Free lance modern material conservator/researcher, Amsterdam, The Netherlands Thea van Oosten Formerly senior researcher, research department, Cultural Heritage Agency of the Netherlands (RCE), Amsterdam, The Netherlands Practical applications of deep-drawing and rotation moulding Frank Hilger Academy of Fine Arts, Munich, Germany Reversible airbrush retouching on faded grP objects. Julia Reischl Die Neue Sammlung, Munich, Germany Michaela Tischer Freelance Conservator, Munich, Germany Monitoring, damage-free measurements and treatment methods of out-door glass fibre reinforced objects (on request) Otto Lutz, Stockach Germany Publicly appointed and authorized appraiser by the Chamber of Industry and Commerce in Wuerzburg-Schweinfurt of rotor blades for wind turbines. *** Conservation DistList Instance 26:51 Distributed: Tuesday, May 28, 2013 Message Id: cdl-26-51-021 ***Received on Sunday, 26 May, 2013