Subject: ICOM-CC Modern Materials and Contemporary Art Working Group Interim Meeting
Conserving Outdoor Painted Sculpture Modern Materials and Contemporary Art Working Group Kroller-Muller Museum The Netherlands June 4-5, 2013 <URL:http://www.incca.nl/opsmeeting2013> Please find below a provisional list of speakers/papers at the forthcoming symposium, Conserving Outdoor Painted Sculpture. The meeting is the Interim meeting of the Modern Materials and Contemporary Art working group of ICOM-CC, and is being held in collaboration with the Getty Conservation Institute, and the Kroller-Muller Museum. Provisional List of Presentations Conserving outdoor painted sculpture at the Hirshhorn Museum and Sculpture Garden, Washington DC Gwynne Ryan As good as new: on the recoating of Tajiri's Square Knot (1974) in Venlo Lydia Beerkens The conservation of Nam June Paik's 32 cars for the 20th century play Mozart's Requiem quietly (1997) Zeeyoung Chin Some considerations in determining new paint systems for use in the treatment of painted steel, fiberglass, and wooden outdoor sculptures Paul Benson The decision-making process for the treatment of Christo's 56 Barrels (1968/1977) Susanne Kensche On the (im)possibilities of local repair and inpainting in the long term conservation of outdoor painted sculptures. The case study of Trowel by Claes Oldenburg Nikki van Basten Maintenance of hand-painted outdoor sculptures by Niki de Saint Phalle and Jean Dubuffet Frederike Breder High end coatings: research for a perfect surface for an outdoor sculpture by Anselm Reyle Thomas Dempwolf Paint and outdoor weathering steel sculpture John Scott Three Brushstrokes: recreating Roy Lichtenstein's early techniques for painted outdoor sculpture Julie Wolfe A look through the window, waiting for restoration. The restoration of George Segal's Man Looking through the Window (1980) Roberta Verteramo A kind of blue: The re-finishing of a painted steel sculpture by John Hoskin. Calvin Winner Not for eternity maybe: the conservation of 'Flause' (1998), an outdoor painted sculpture by Franz West Florian Szibor Calder's Untitled (Stabile) (1968) and Dubuffet's Arbre Biplan (1968-69): conserving two outdoor painted sculptures from the Berardo Collection in Lisbon <URL:http://www.berardocollection.com/?sid=50004&CID=100&lang=en&artist=109> Rodrigo Bettencourt da Camara Museum procedure for dealing with large metal objects: case study of Calder's The Halberd Bearer Angelika Gervais Preventive conservation of outdoor painted sculpture in Quebec: When the quantity is beyond the understanding Stephanie Gagne Developing a sustainable conservation policy for the sculpture collection of the National Glyptotheque Park, in Athens, Greece Maria Kliafa Registration is now open. See <URL:http://www.incca.nl/opsmeeting2013> Cost is 175 Euros, with a reduced rate of 115 Euros for ICOM members, speakers and students. For those of you not ICOM-CC members, please consider joining so that you qualify for the reduced rate. Details on how to join are found at <URL:http://www.icom-cc.org/171/about-icom-cc/join-icom-cc/> The aim of this meeting is to discuss the current issues, approaches and methods used for conserving OPS. It is hoped that the meeting will provide an opportunity for dialogue both within the conservation community, and with others, such as the paint industry, fabricators, curators and artists' estate, foundations and studios. The Kroller-Muller Museum has a large collection of outdoor sculptures with more than 150 works exhibited in its sculpture garden, and as such will provide the perfect setting for the meeting. There will be an opportunity to view the collection, including works under discussion at the meeting. *** Conservation DistList Instance 26:45 Distributed: Saturday, April 13, 2013 Message Id: cdl-26-45-008 ***Received on Monday, 8 April, 2013