Subject: Call for papers--IIC Congress
Call for papers "An Unbroken History: Conserving East Asian Works of Art and Heritage" IIC Congress Hong Kong 22-26 September 2014 IIC is delighted to announce that the 25th biennial IIC Congress will be held in Hong Kong on 22-26 September 2014, with the theme "An Unbroken History: Conserving East Asian Works of Art and Heritage". For the first time, IIC is holding its Congress in a sub-tropical region which brings its own, very particular problems of preventive conservation. Hong Kong, a special administrative region of the People's Republic of China, is situated on the coast of the South China Sea, to the east of the Pearl River (Zhujiang) delta. Much of the region is hilly and maintained as nature reserves and Hong Kong's densely populated and famously high cityscape rises from narrow areas of land available for building, much of it reclaimed. A fascinating cultural melting pot, Hong Kong blends the customs and traditions of East and West: a crowded, busy city-state balancing the contemporary and progressive with traditional beliefs and practices. Often seen as 'China's window on the world', Hong Kong's museums, galleries and heritage sites are testament to its rich history and traditions as well as to its role as a point of exchange between Chinese heritage and the cultures of the rest of the world. IIC is delighted to be organising the 2014 Congress with the Leisure and Cultural Services Department of the Hong Kong Government, who have overall responsibility for the public museums, galleries and heritage sites throughout Hong Kong. The Congress will be held at Hong Kong City Hall, bordering the famous Victoria Harbour, which is an important example of an 'evolved-Bauhaus' style architecture and will provide a central, capacious and comfortable venue for the week. The theme: "An Unbroken History: Conserving East Asian Works of Art and Heritage" Objects of art and heritage generally reveal their significance through different senses: their form and appearance; the messages and stories they contain; the knowledge and information hidden within them. Hence, conservation efforts are meant not only to assist the study of the history and the making of our heritage but also to help us to appreciate and to revivify its beauties and merits. Each form and artefact of East Asian art and heritage, in addition to assuming a unique style and nature, carries an important meaning from and testimony to the culture and history of the people and the region that created them. The IIC 2014 Hong Kong Congress will provide a platform to bring together a wide variety of views and dialogues to address the various areas of work, study and analysis involved in the conservation of East Asian art and heritage. It will focus on how conservation helps to retain or recover and then communicate the messages that East Asian art and heritage carry, and will address how the history or meaning of this art and heritage affects the decision-making processes and course of conservation treatments. Different conservation approaches, and hence methodologies, will be discussed and examined, and will link in to the unveiling of traditional craftsmanship, manufacturing materials and patterns of use or previous restorations. With advances in technology, an increasingly efficient flow of information and a growing awareness of conservation ethics, more specific and sustainable ways to treat art and heritage, as compared to traditional approaches, will also be explored. These different approaches to conservation may be applied to the treatment of a wide range of objects and materials: Scroll paintings and calligraphy; prints; textiles and costumes; wall paintings; sculpture; furniture and lacquer wares; jewellery, ceramics and metalwork of all varieties pertinent to the region. The conservation of the built heritage, including historical and archaeological sites, monuments and historic buildings with distinctive oriental features is an important aspect of conservation in the region. The intangible cultural heritage of a community, its traditions, customs and rituals, its music, folk arts and crafts, has a value that is incalculable, but it may wither and diminish inconspicuously, unable to compete with the pressures of the strident modern world, if we are unaware of its importance. Innovative approaches and methods are required if we are to preserve the relics and objects which are inseparable parts of the intangible cultural heritage and complement efforts in its preservation. The official language of the Congress is English, with the provision of simultaneous translation of the proceedings into and from Putonghua. Papers may thus be presented in English or Chinese. Further details about the Hong Kong Congress are available on the website of the Kong Kong Government's Leisure and Cultural Services Department: <URL:http://www.lcsd.gov.hk/CE/Museum/Conservation/eng/iic/index.htm> Call for papers We now invite the submission of proposals for papers to be presented at the 2014 Congress. We are looking for new and original, unpublished work, relevant to the Congress theme and, importantly, relevant to conservation. Multidisciplinary proposals are encouraged. We are also looking for an awareness of the need for ethical treatments. A requirement of submission is that one of the authors of each selected paper must attend the Congress to present that paper to the audience. Papers presented at and published as a result of an IIC Congress all undergo a rigorous peer review process. To this end, IIC Council appoints a Technical Committee of international experts who will make selections from the proposals received and selected authors will be invited to develop the proposal into a synopsis as well as to include not more than 2 illustrations for consideration by the Technical Committee. Authors may then be requested to refine the synopses as necessary, and the final paper synopses will be edited for publication as the Congress Preprints by the Congress Editorial Committee. Please remember that submissions should not have been presented and/or published elsewhere before the date of the Congress. In order to include as many contributions as possible in the programme and thus in the volume of preprints, it is planned to publish a greater number of shorter synopses than has been the practice in the past. The synopses and presentations will be considered by the Technical Committee during and after the Congress for the production of postprints; selected authors will then be invited to submit full versions of their papers. Further details will be made available later. IIC invites you to submit your proposal for a paper in English in 500-700 words (up to 3000 characters) via the website, <URL:http://www.iiconservation.org/node/add/abstract> To submit a proposal in Chinese (600-800 characters) please see <URL:http://www.lcsd.gov.hk/CE/Museum/Conservation/chi/iic/submission.htm> Please do not include any illustrations with your proposal submission. If selected, you will be invited to develop the proposal into a synopsis of 1000-1200 words in English or 1200-1500 characters in Chinese. Further details regarding IIC and its past congresses are available on the IIC web site <URL:http://www.iiconservation.org> Just follow the link to Conferences and you will see the congresses listed. The deadline for submission of proposals is 17 May 2013. You will receive a response from the Technical Committee by mid-July 2013. A call for posters will be made in May 2013. Please contact us at iic<-at->iiconservation<.>org or conservation<-at->lcsd<.>gov<.>hk if you have any questions or wish to receive further information on the Congress. Graham Voce Executive Secretary International Institute for Conservation of Historic and Artistic Works 3, Birdcage Walk London SW1H 9JJ UK +44 20 7799 5500 Fax: +44 20 7799 4961 *** Conservation DistList Instance 26:37 Distributed: Saturday, February 9, 2013 Message Id: cdl-26-37-004 ***Received on Thursday, 7 February, 2013