Subject: Workshop on use of Asian paper in paper conservation
"Understanding Asian papers and their applications in paper conservation" The British Library 96 Euston Road London NW1 2DB <URL:http://www.bl.uk> 20-22, March 2013 Organizers: Yunsun Choi Conservation Manager Paper, Paintings and Frames Tate Gallery The British Library Registration Fee: 375 GBP (materials included) Enrolment limit: 12 This unique three day workshop provides a theoretical and practical understanding of the history of East Asian papers (Chinese, Korean and Japanese) and their application in Western paper conservation practice today. The aim of this workshop is to equip conservators with the skills to identify different East Asian papers, appreciate their individual traits and the great contribution that Asian papers can make to modern western conservation practice. Participants will be given a brief overview of the main developments in the production history of East Asian papers together with methods of contemporary manufacture. There will be a presentation of microscopic photographs of the fibres of different East Asian papers and an explanation of how to distinguish and identify them. This will be followed by a study of different paper samples made using various raw materials, processes and drying methods. Participants will then be shown how to apply this knowledge to select appropriate papers according to the requirements of specific treatments in Western paper conservation. Some of the techniques used in Asian conservation that have been adapted and modified for the treatment of Western paper objects will also be introduced. At the end of the workshop there will be time for participants to reflect, evaluate and discuss the application of Asian papers and techniques in their own conservation practice. The session includes: The various histories and characteristics of Chinese, Korean and Japanese papermaking Making an Asian style drying board using a Tycore board Understanding mechanical and hydrogen bonding in mulberry paper (East Asian paper) through the process of making Joomchi, paper felting- traditional Korean craft Flattening objects using hydrogen bonding and different shrinkage of mulberry paper and Western paper Applications of different toning materials to mulberry paper Applications of different adhesives to mulberry paper for repair and lining of different types of Western paper Instructor: Minah Song Minah Song is currently a paper conservator at the Conservation Center for Art and Historic Artifacts (CCAHA) in Philadelphia, USA. She received an M.A. in East Asian Art History from the Academy of Korean Studies in Korea and an M.A. in Conservation from Camberwell College of Arts in London, UK. She works on a variety of artworks on paper, from maps, architectural drawings, archival materials, parchment and Asian objects. Some of her presented and published research projects include: "Permanence, Durability and Unique Properties of Hanji", co-authored with Jesse Munn (AIC Book and Paper Annual, 2005), "Conservation of a Group of Early 19th Century Chinese Export Flora Paintings" (AIC Annual Meeting, 2007), "The History and Characteristics of Korean Books and Bookbinding" (Journal of the Institute of Conservation, 2009), "Can West Meet East? - Different Approaches to Conservation of East Asian Art" (Conference: East Asian Art: "Historic Context and Modern Preservation of Paper-Based Works", 2010), Korean Paper, Hanji, its History, Technique and Properties (Conference: Paper from the East, London, 2011). For further details and online registration: <URL:https://sites.google.com/site/asianpaperandconservation/home> Contact the instructor: asianpaperconservation<-at->gmail<.>com *** Conservation DistList Instance 26:19 Distributed: Tuesday, September 25, 2012 Message Id: cdl-26-19-013 ***Received on Tuesday, 25 September, 2012