Subject: Alternative to xylene
I have been watching the posts in anticipation of something new and to see when 1-methoxy-2-propanol (aka Downol PM, propylene glycol momomethyl ether, Arcosolv PM, Downol PM. 1-methoxypropan-2-ol) might be mentioned and what would be said about it. While one might be able to defend this solvent as "appreciably" less hazardous than xylene as Mr. Phenix does, I do not think it can be considered to have "similar properties to ethanol in terms of toxicity" as argued by Ms. Roundhill. In the U.S., both ACGIH and NIOSH give xylene and 1-methoxy-2-propanol the same TLV of 100ppm and 100ppm STEL. On the other hand, ethanol has a TLV of 1000, 10 times that of 1-methoxy-2- propanol (of course this will depend on what the ethanol is is denatured with). As for it being "a great solvent for Acryloid B-72", glycol ethers like 1-methoxy-2- propanol, and its more infamous cousin Cellosolve, have been highly valued in the paints, lacquer and paint stripper industry for their ability to dissolve or swell a large variety of materials including both fresh and aged paint films. This is partially due to the fact that it is both a protic and aprotic solvent. While I am far from a chemist, some may know that Whitten and Proctor have been involved in teaching varnish workshops for years. We have long sought something to replace the aromatic content of our varnish formulations for both B-72 and Laropal A-81 and therefore have done some research on this solvent. One thing we have found is although it has an evaporation rate very close to that of xylene, a 30% solution of Laropal A-81 dissolved in 1-methoxy-2- propanol will take considerably longer to dry to touch than a 30% solution of Laropal A-81 dissolved in xylene. While we haven't yet tested this with B-72, I would suspect similar or more dramatic results. This retarded drying time appears to happen primarily during the diffusion phase when the solvent and varnish are combined in a non-mobile gel. This means as a varnish, the solvent is probably in contact with the paint for a very long time and has the potential to fuse the varnish with the paint. I could go on more about this and other phenomenon that cause me concern but feel the duty to cut this post short. Suffice it to say, I would like to voice a strong word of caution before simply substituting this solvent for any other and particularly for dissolving resins to be used as varnishes. Robert Proctor Whitten and Proctor Fine Art Conservation 1236 Studewood Street Houston, TX 77008 713-426-0191 (phone/fax) *** Conservation DistList Instance 25:40 Distributed: Saturday, March 3, 2012 Message Id: cdl-25-40-003 ***Received on Tuesday, 28 February, 2012