Symposium on current technical research into in Britain from 1550-1850--addendum

Symposium
Current Technical Research into Painting in Britain from 1550-1850
Tate Britain
Friday, 30 March, 2012

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The programme has been finalised for the one day symposium on
Current Technical Research into Painting in Britain from 1550-1850
on Friday, 30 March at Tate Britain.  This is a free event however
everyone should register in advance as places are limited.  Doors
open for registration from 9:15 with talks to start at 10:00 am and
conclude by 16:30, with a discussion afterwards.  Please register by
9 March, 2012 by calling Tate Ticketing at +44 20 7887 8888.
Enquiries may be directed to ticketing<-at->tate<.>org<.>uk

Programme:

    Charlotte Bolland and Sophie Plender
    Making Art in Tudor Britain: Assessing and interpreting the
    technical evidence on Tudor paintings

    Kate Stonor and Clare Richardson
    Rubens's working method and workshop practice on his return from
    Italy: Some insights into the international art market of the
    early seventeenth century

    Rica Jones
    Van Dyck and de Mayerne: A cautionary note regarding the
    manuscript

    Alexandra Gent and Rachel Morrison
    The Wallace Collection Reynolds project: Technical study of the
    paintings

    Jessica David
    Case studies of a travelling studio: An investigation of
    Zoffany's painting practice in Florence and Lucknow

    Rose Miller
    Cotman and Crome: Availability and economy or experiment and
    innovation?

    Joyce H. Townsend, Leslie Carlyle, Ja-Hyun Cho and Marta Felix
    Campos
    Storage vs. display: Colour changes in 19th century oil paints
    as used by J M W Turner

    Sally Woodcock
    Secrets, codes and Mr Berger's bedroom:  Protecting paint
    recipes in Georgian and Victorian London


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