Subject: Bubble wrap and water damage on acrylic paintings
Recently, a four-part series painted by a young indigenous person in 2004, was received in the laboratory for treatment. The works are mixed media, and include applique hessian (charred) with bleach mark, adhered with PVA glue onto chinese manufactured acrylic ground cotton canvas and stretcher. The artist splashed both black and white acrylic based paints onto the canvas around applied burnt hessian, making a mixed media drippy composition. In February the paintings were damaged due to flash flood/rainstorm, which prolonged wetting of the surface of the stored paintings. The bubble wrap surrounding the paintings was left in contact with the surface for approximately 36 hours. The contact between surfaces resulted in tide marks and bleeding out of the black paint, making very disfiguring blue/black staining in a bubble wrap pattern on both the acrylic ground layer, and the cellulose of the cotton canvas. Wet cleaning removed a great deal of the superficial colorant, however there are large stained areas remaining on both the painted acrylic, exposed cotton canvas. I have tried many options for reducing the staining and am looking for advice as to what might be the best and most conservation sound option to use to decolourise or alter the double bond of the blue black colourant, (which is likely to an aniline dye molecule, not a pigment based paint) I am aiming to reduce the tide mark staining on the acrylic ground and canvas as much as possible. The artist has agreed to repaint the very damaged sections post treatment, in consultation with the owner. Caroline Fry Painting Conservator The Centre for Cultural Materials Conservation The University of Melbourne 99 Shiel Street North Melbourne 3051 +61 9 348 5700 *** Conservation DistList Instance 24:45 Distributed: Monday, March 28, 2011 Message Id: cdl-24-45-026 ***Received on Thursday, 17 March, 2011