Subject: Call for posters--Modern and Contemporary Mural Paintings
"Modern and Contemporary Mural Paintings: Technique, Conservation and Access" Universidad Politecnica de Valencia June 10, 2011 Poster abstract submission The international conference, "Modern and Contemporary Mural Paintings: Technique, Conservation and Access (MCM-2011) is organized by the Instituto Universitario de Restauracion del Patrimonio (IRP) at the Universidad Politecnica de Valencia (UPV) and will be held at the UPV campus on June 10, 2011. On this occasion, the conference is dedicated to all aspects of modern and contemporary mural paintings: the materials and methods of their production, their deterioration and conservation challenges as well as dilemmas frequently encountered when determining the most appropriate display conditions after having been treated. Aim of the conference: Conceptual, material and technical issues surround the production of mural paintings in the 20th and 21st centuries. Graffiti, community mural paintings, the use of materials from industry, the new approaches in the ways in which buildings are conceived, the constant transformation of public spaces. All this diversity creates a new scenario that imposes specific considerations regarding the study, documentation, treatment and preservation of such particular artworks. The aim of this conference is to provide a forum for artists, curators, conservators, and all those involved in the conservation and restoration of modern and contemporary mural paintings to discuss questions such as: Should graffiti murals be considered as enduring work? Can artists and conservators collaborate to make their works last as long as possible? Who is responsible for the conservation of 'community murals'? What role do artists play in their preservation? Is repainting a valid alternative? What about the change in context of those murals removed from the location they were created for? Do we know exactly what materials artists use in their production? What are the interactions between the modern materials that form the structure of these works? Why do they often age so quickly? How to preserve outdoor murals subjected to extreme environmental conditions? Scientific Committee Mercedes Sanchez-Pons (Universidad Politecnica de Valencia) Teresa Domenech Carbo (Universidad Politecnica de Valencia) Tom Learner (Getty Conservation Institute) Will Shank (Independent conservator and curator and co-chair of Rescue Public Murals) Rosario Llamas-Pacheco (Universidad Politecnica de Valencia) Themes "MCM-2011" will focus on the following topics: Materials of contemporary murals: history, current technology, future improvements (graffiti, ceramic murals, silicate paints, synthetic temperas, acrylic enamels, mural canvases, etc.) The question of "value" and how it applies to murals Muralism and anthropology: the community's role Understanding modern and contemporary wall paintings and their conservation needs The philosophy behind conservation of modern and contemporary paintings: minimal intervention vs. non-intervention Case studies of traditional-vs-unorthodox treatments in mural paintings Other topics related Venue: The conference will be held on the Auditorium of the Nexus Building at the campus of the Universidad Politecnica de Valencia (Spain) Abstracts submission: All those interested in submitting an abstract should send a Word file (and a maximum of 2 illustrations, JPEG, 300 ppi ) to painting<-a t->upv< . >es The deadline for abstract submissions is April 1, 2011. Instructions: a) Abstracts should describe original, unpublished work. b) Authors are permitted to submit a maximum of *one* abstract as a presenting author and TWO on co-authorship. c) Abstracts must be written in English and/or Spanish and contain the following information: Author(s) full name Contact author Affiliation Telephone number Email address Title of the paper Key words Abstract (max. 500 words) d) Abstracts must be submitted in Word Format, Arial, 10 pt, single-spaced, left-justified. The text should not contain tabs. e) Authors will be notified of the status of their submission(s), by April 15, 2011. f) An extended version of the accepted abstracts will be requested for publication in the Proceedings Book after the conference. Abstracts will not be edited by the Congress Secretariat prior to publication. g) At least one author is required to register for each poster and pay the corresponding registration fees h) A maximum of 2 illustrations are allowed (JPEG format, 300 ppi max.) Fees Professionals: Early bird registration (until May 1, 2011): 120 Euro Standard fee (From May 2, 2011): 150 Euro Students: (the student card will be requested) Early bird registration (until May 1, 2011): 80 Euro Standard fee (From May 2, 2011): 100 Euro There will be a website and the program of lectures will be available soon. In the meantime, please contact painting<-a t->upv< . >es if further information is needed. *** Conservation DistList Instance 24:42 Distributed: Tuesday, March 8, 2011 Message Id: cdl-24-42-007 ***Received on Sunday, 6 March, 2011