Subject: Calcium oxalate on easel paintings
Flavia de Souza <fluksy2000 [at] hotmail__com> writes >I am a conservation student currently writing my thesis on calcium >oxalate film encountered on easel paintings. ... >... >... In my review I intend to >summarize the analysis methods performed for identification of >calcium oxalate ... I presented a paper with Beth Price and Andrew Lins, "The characterisation of degraded, oxalate-rich surface layers on paintings", at the IRUG7 Conference, New York, in 2006. Our summary in the conference book of abstracts describes the occurrence of calcium oxalates on easel paintings and other non-calcareous substrates, and includes a short bibliography. I can send the abstract to you, and would be happy to discuss this with you further. In our study at the Philadelphia Museum of Art we used FTIR, SEM-EDS, XRD and GCMS analyses to characterise oxalate-rich surface layers on a number of objects including Italian paintings from the 14th and 16th centuries. Oxalates on paintings have also been studied recently by Catherine Higgitt, Marika Spring and colleagues (see National Gallery Technical Bulletin v.26, 2005) and Annelies van Loon (Colour Changes and Chemical Reactivity in Seventeenth Century Oil Paintings, PhD Thesis, University of Amsterdam, 2008). Aside from easel paintings, there have been many studies of oxalates on calcareous substrates (stone, fresco). Ken Sutherland Scientist Philadelphia Museum of Art Conservation Department Box 7646 Philadelphia, PA 19101 *** Conservation DistList Instance 22:58 Distributed: Sunday, April 12, 2009 Message Id: cdl-22-58-006 ***Received on Friday, 10 April, 2009