Subject: Canvas lined with lead adhesive
I am currently working on two late seventeenth-century canvas portraits that have been previously lined with an unusual adhesive and technique. The adhesive is orange in colour and consists of an inorganic material containing lead and iron pigments and oil as a binding medium. The presence of leadsoaps, iron-oxides and oil has been confirmed. The lining method seems to have been as follows: the lining canvas was attached with tacks to the strainer and coated with the lining paste. Afterwards the lining paste was applied irregularly either as a second application to the lining canvas or onto the reverse of the original. The original canvas was then attached separately with tacks to the strainer. It is presumed that the two canvases were bonded together with use of pressure and possibly heat. The lining paste has migrated through the cracks in the ground and paint to the surface, thus it must have retained its fluidity for some time. Over the course of time much of the lining adhesive has become brittle and in large parts the adhesion between the two canvases has failed. During the removal of the lining canvases it was noted that some thicker areas of the adhesive had remained tacky and soft. This does not look like the 'typical' lead-lining as far as I have found references to this technique C. Keck, Handbook on the Care of Paintings U.H. Vrana. Alternatives for traditional relining K. Nicolaus. Handbook for Restoration Has anyone come across a similar lining technique or know of any possible origin or dating for it? Photos and technical information would be most appreciated as would any advice on the conservation (re-lining) of paintings lined with a lead based adhesive. Nada Miedema (student Conservation of Easel Paintings) Stichting Restauratie Atelier Limburg (SRAL) Postbus 1679 6201 BR Maastricht The Netherlands *** Conservation DistList Instance 22:43 Distributed: Saturday, January 31, 2009 Message Id: cdl-22-43-031 ***Received on Thursday, 29 January, 2009