Subject: Course on ancient and historic metals
Ancient and Historic Metals: Technology, Microstructure, and Corrosion Summer School in Ancient and Historic Metals: 2009 Held at UCLA: Cotsen Institute of Archaeology Instructor: Professor David A. Scott July 6-11, 2009 Course Aims: This six-day course will act both as an introduction and a focus of more intensive study dealing with the examination, analysis, metallographic examination and deterioration of ancient and historic metals. The course is designed to benefit conservators, scientists and archaeologists who wish to learn how to prepare metallic samples for metallographic study, learn something of the technological aspects of the working and structure of metals, and how corrosion and patination can be discussed and examined. Artefacts for examination: Over the past 26 years an unrivalled collection of mounted metallographic samples has been assembled, which are studied as part of the course practical work, involving both polarized light microscopy and metallographic microscopy of both freshly polished and etched samples. These samples range from cast iron from China to wootz steel from India, bronze coinage alloys from the Roman Empire to high-tin bronze from ancient Thailand, silver alloys from the Parthian period to ancient Ecuador, gilded copper and tumbaga from Peru and Colombia, to mention only a few of the geographical areas covered by available samples. Course participants will be instructed in the use of polishing and etching in the examination of samples and are encouraged to keep digital images of the samples they have prepared during the week. Students may also bring their own samples for examination if mounted and ground, or if not mounted, then one or two samples may be brought which can be mounted and prepared during the course. Course Instructor: David A. Scott, Director of the MA program in Archaeological and Ethnographic Conservation. His book, Copper and Bronze in Art: Corrosion, Colorants, Conservation won the prize from the Association of American Publishers as the best Scholarly/Art book published in the USA in 2002. Professor Scott has published over 90 papers in the peer-reviewed literature and is an Editor for the journal 'Studies in Conservation'. Course Schedule: The course will be held over the six days from 6-11 July 2009. The course will be held at the Cotsen Institute of Archaeology, located in the basement of the Fowler Museum Building at the UCLA campus in Los Angeles from 9:15am-5pm each day. The course is open to a maximum of 10 participants only. Course Costs: The cost of the instruction for the six days will be $800.00. For details of payment and to register for this course, as well as to receive leaflets on local housing and hotels, please contact the course organizer and director: Professor David A. Scott, Room A410, The Cotsen Institute of Archaeology, UCLA 405 Hilgard Avenue, Los Angeles CA 90095-1510, USA dascott<-at->ucla<.>edu Course Details: Monday: Introduction, use of the metallurgical microscope, the mounting and polishing of samples, their preparation, use of resins, grinding and polishing. Introduction to phase diagrams and their application to ancient bronzes and copper alloys. Copper-arsenical, copper-nickel, and copper-tin alloys. Casting and working of metals and aspects of bronze casting in the ancient world. Etching of some copper alloys. Recording of samples with digital camera and case studies in the examination of a group of copper alloy plaques and a bronze figurine of the God Osiris will be discussed. Tuesday: Continuation of the examination of copper-tin and copper-tin-lead alloys. Ancient coinage alloys of the Roman period, examination of copper-arsenic bronzes, aspects of the corrosion of bronze and copper alloys. The Pourbaix diagram and some of its applications. The extraction of metals from their ores and some principles of the Ellingham diagram. Wednesday: The phase diagram for copper-silver and lead-tin alloys. Examination of silver and debased silver alloys. Surface enrichment and corrosion. Problems in the authentication of ancient silver and bronze alloys. Metallographic examination of ancient silver alloys and techniques of etching silver. Discontinuous precipitation phenomena and the age of silver alloys. Colour etching of both copper alloys and silver alloys. The Philosopher plate and the Strozzi silver basin: case studies from the J. Paul Getty Museum. Thursday: Mounting of samples brought by students. Examination of some ternary phase issues in relation to gold-silver-copper alloys. The corrosion of tumbaga alloys and aspects of the Pourbaix diagram. Video concerning the extraction of iron and steel. Introduction to iron and steel. The principles of corrosion and the eight types of corrosion of metals. The examination of iron from meteorites. The technology of ancient iron and steel in the West, in India and in China will be contrasted and samples illustrating these different technologies examined. The metallography of ancient iron alloys. Friday: Corrosion issues of iron and steel. Weathering steel and patinas, the nature of iron corrosion products and their implications for the stabilization of iron artefacts during conservation treatments. Problems with the examination of lead, lead-tin, zinc, and aluminium alloys. The reasons why brass was made by cementation, the extraction of metallic zinc and examination of samples of brass alloys. The use of solders and aspects of tinning of ancient bronzes. Examination of mounted specimens prepared on the Tuesday, and continuation of practical metallography. Saturday: Gold and gold alloys: gilding: examination of gold alloys. Lecture on the technology of ancient gold alloys in South America. Continuation of metallographic practical examination. *** Conservation DistList Instance 22:38 Distributed: Saturday, January 10, 2009 Message Id: cdl-22-38-014 ***Received on Friday, 9 January, 2009