Subject: Paintings
Holly Chase <hchase [at] byugate__byu__edu> writes >I would like to know what techniques and materials are appropriate >for backing paintings on canvas. What we normally use is Fome-Cor >cut to the size of the work and then screwed into the back of the >stretcher bars to prevent any damage to the vulnerable back. We also >cut out a small triangle (usually 1 1/2 inches tall) in the >Fome-Cor for a ventilation hole I have worked in/with medium-sized galleries and prefer to use Coroplast (also known as Cor-X,Tenplast) which is a corrugated plastic board. This is easily available in Canada, since it finds wide use in sign-making (it is even available in 4 x 8 sheets and larger from hardware stores), but is not as widely available in the United States. Coroplast has been shown to outperform Fome-Cor in controlling the RH in an enclosed space behind a painting. From a practical standpoint, I have always found Fome-Cor a bit too thick, rigid and cumbersome as a backing board. The Canadian Conservation Institute has an excellent technical note that describes attachment of a backing board to the verso of a stretcher. I would recommend not cutting a ventilation-hole in the backing, because a tight air-seal is important to maintain relative humidity control and to prevent vibration of canvasses. I would recommend continuing to use non-archival self-adhesive pressure sensitive labels on the backings. From a practical standpoint, the backing board does not require archivally approved labels, and office-type labels can be easily purchased and printed on your computer. If you wish to identify the stretchers/frames as well, just write the accession number of the work on the stretcher/frame in graphite pencil. Sarah Spafford Ricci, Conservator of Fine Art Fraser Spafford Ricci Art and Archival Conservation Inc. 2276 134 Street South Surrey, B.C. Canada V4A 9T9 604-536-3595 Fax: 604-536-2937 *** Conservation DistList Instance 13:48 Distributed: Friday, March 24, 2000 Message Id: cdl-13-48-015 ***Received on Thursday, 16 March, 2000