Subject: Storing photographic materials
Deborah Howe <d-howe [at] nwu__edu> writes >In response to the discussion on non-buffered vs. buffered >interleaving tissue for use in photo albums, we did some testing >here at Northwestern. In accordance to accepted practice we >purchased non-buffered interleaving tissue about 5 years ago to use >in photo albums.... >... >Yesterday I went to retrieve the album and pH tested the tissue. >The result was a reading of 3.2-3-5. We still have the original >roll of tissue and the reading on that came out to 6.0 pH. I also >took readings of the support pages both from one that didn't have a >tissue facing it and the other that did, both readings came out at >3.7 pH. My question is what would be recommended at this point: >remove the tissue and replace with buffered tissue or just remove >and leave well enough alone? Generally I have tended to avoid interleaving albums because of problems during use (researchers mess it up, leave it out, or worse, get it crinkled) or problems with putting too much stress on the binding. Barring high use rates or binding strain, interleaving is most appropriate under certain circumstances-- 1. abrasion of photos which face each other with edges of one cutting into the surface of another due to pressure in storage (or through scraping across during heavy use when pages are turned); 2. fading or staining clearly associated with contact with: a. photo reactive album leaf paper, adhesive residues, tapes or inks etc. b. poorly processed photos with fixer stains, etc. c. certain reactive photo processes eg platinum or platinum toned prints which might adversely affect other processes. 3. blocking of pages/photos for some reason (usually adhesives or high humidity) Certainly poor quality paper in album pages (and mounting adhesives) can contribute to fading, silvering, or image discoloration. But these effects are also highly dependent on elevated relative humidity and temperature. According to Reilly et al (Acetate Storage Guide), very little image oxidation by reaction with contaminants will occur if the RH is below 40-50%. At these low RH's, the emulsion is a good barrier to contaminants, there just isn't enough moisture for many of these reactions to go, or for the oxidized silver to migrate to the surface and redeposit as mirror. Therefore, if I see image deterioration, I usually suspect that it occurred when the album was stored in an uncontrolled climate. this is usually the case before an album is acquired by a repository. I'm always surprised at the panic about black or colored paper albums--even when there's little evidence of deterioration, or only minor deterioration that is probably the result of poor storage conditions. Many an album has been unnecessarily disassembled or had it's spine broken by excessive interleaving only because it pages were the wrong color and deemed suspect. If the image deterioration is severe and linked to the album materials, pages/photos are blocking, or if album pages are embrittled and likely to break during use, I would consider various options. These might include interleaving, researcher surrogates (photocopies, etc), and as a last resort, album treatment (such as disassembly and sleeving or complete removal of photos). Not knowing your exact situation, I can't say whether or not interleaving is really required. I see no need to keep paper in there that is more acidic now than the album itself. Since you have the unbuffered paper on hand, you could use some of that if you feel the situation calls for interleaving, based on the parameters discussed above. The current interleaving paper has absorbed acidity from the album, which is of benefit as long as it can be replaced periodically when it becomes highly acidic. Buffered paper would require less frequent replacement on that account. Sarah Wagner Photograph Conservator *** Conservation DistList Instance 13:45 Distributed: Friday, February 25, 2000 Message Id: cdl-13-45-002 ***Received on Friday, 18 February, 2000