Subject: Discoloration
Saloni Ghuwalewala <ghuwalewala [at] vsnl__com> writes >I have a charcoal illustration on paper... >... and the face has discoloured to >silver.... >... It reminds one of silver halides having come to the >surface of a silver gelatin print. This certainly sounds like a charcoal drawing over a photographic image on paper sensitized by silver bromide. In the U.S., it was quite common to make such drawings (or paintings) over a photographic enlargement. Some of these were known as "Crayon portraits." To make such a portrait, a deliberately faint image would be enlarged onto photographic paper or even directly on canvas. For a discussion of such portraits, see Stanley B. Burns, Forgotten Marriage: The Painted Tintype and the Decorative Frame, 1860-1910, which despite its title is not limited to tintypes. Gary Saretzky Saretzky Online *** Conservation DistList Instance 13:35 Distributed: Friday, December 17, 1999 Message Id: cdl-13-35-003 ***Received on Sunday, 12 December, 1999