Subject: Sword
Susan Fatemi <susanf [at] eerc__berkeley__edu> writes >Please forgive this question coming from a non-conservator, but I >would appreciate hearing others' philosophy on the topic of how far >restoration should go. > >We have an antique Japanese sword in the family. >... >Anyway, if anyone would like to share their opinions on conservative >treatment vs. full restoration (of anything, not just swords) I'd >like to hear about it. Good question! I am an art conservator with some experience handling Japanese swords. In the Bay area you should have no trouble finding expert advice and the necessary materials to keep your sword well. A few calls to the upmarket auction houses (its been a long time since I lived in the Bay Area, but Butterfield and Butterfield comes to mind) or the Asian Art Museum in San Francisco should put you on the trail of expertise. I personally would not have it re polished, but leave it as it is with the exception of dealing with the rust spots. If any re polishing is considered, have it done by a very experienced traditionally trained expert and be prepared to wait a long time and pay a lot. This is an irreversible restoration and as such, if it is done less than properly will significantly devalue the sword in both monetary and historic senses. Perhaps the most prestigious contact for swords and the knowledge of them is Nippon Bijitsu Token Hozon Kyokai (Society for the Preservation of Japanese Art Swords) One of their associates, Omino Sword Shop in Tokyo many years ago had a contact at Omino International at 1101 Euclid Ave, Berkeley but I'm sure there would be many sword dealers in the area. Handle the sword very carefully, exactly as you would a running chainsaw. It is common for this to be under estimated and I've seen several swords with nicks and rust stains caused by blood likely from someone drawing the sword and either cutting through the scabbard into their hand or testing the sharpness with their finger and finding out yup, its sharp all right and then dropping it. I witnessed a bad accident in Japan by a very senior swordsman who for just a moment lost concentration and cut halfway through the bones of his hand. Yes, I'm trying to scare you. It would be good to learn to disassemble the sword safely and competently, use a clean soft cloth to wipe away residual oil (or use the proper special paper sold by specialist sword shops- but don't use any other type of paper), then lightly re-oil with special sword oil. You will need someone competent to show you how to do this once. I personally would then apply a dot of microcrystalline wax in mineral turpentine to the rust spots. Reassemble the sword. This should be done every few years. The blade wants to be kept dry, but the wood parts want some moisture- a conservator's dilemma. Check it for rust periodically and if it is to be stored for a period of months, at the very least place it in a proper bag to help temper humidity changes. I am a believer that if you have something really dangerous around- a gun, car, swimming pool, big dog, sword- its worth taking some time to learn to use it, or at least see it used, competently. There will be Iaido (sword drawing) schools around you but the good ones aren't likely to be in the Yellow Pages. Once you find them, such schools are often very open to interested people and will likely welcome you to watch a class. Having a good look at a few of them may well open up a very interesting world and at the very least give you a new respect for your family sword and its history and some contacts who will be able to advise you on keeping it well. Thomas Dixon Chief Conservator National Gallery of Victoria Melbourne Australia *** Conservation DistList Instance 13:20 Distributed: Thursday, September 16, 1999 Message Id: cdl-13-20-002 ***Received on Monday, 6 September, 1999