Subject: Processing RC papers Permanence of RC papers
Darius Himes <dhimes<-a t->midas< . >bwc< . >org wrote: > I would like to know if anyone has had experience with testing fixer > residue (sodium thiosulphate *or* ammonium thiosulphate) levels in > Resin Coated photographic papers. > > I am concerned about the level of fixer present in RC papers which > have been run through a black and white print processor (a process > which takes 1 minute). Our institution is currently using such a > processor, and these prints are destined for our permanent > collection of photographs. Establishing just how much fixer residue > these prints retain seems paramount. Are there any suggestions? and > I am currently researching the longevity of resin-coated > photographic papers. Can anyone suggest any publications dealing > with this topic, and also in relation to the longevity, in an > archival environment, of traditional fiber-based photographic > papers, such as those currently on the market (Ilford Multigrade, > Brilliant, Cachet, etc.)? With many thanks, Some years ago we investigated the market in Denmark for automatic processing machines for RC papers. We found that all machines left a high amount of residual thiosulfate in the prints. The residual thiosulphate was measured by the methods described in the ISO-417-1993 standard. By increasing the processing times of those machines which could be regulated the level of residual fixer could be reduced. A reduction could also be achieved by increasing the temperature of the wash water. As a first conclusion we found that all available processing machines at that time would process RC prints containing an unacceptable high level of residual thiosulphate when used as recommended by the manufacture. Our preliminary conclusion was that all RC print processors available at that time left unacceptably high levels of residual fixer when used in accordance with the manufactures' recommendations. However, in an attempt to improve its washing Ilford Denmark suggested modifications to an Ilford 2240RC processor. A spray bar was built into the washing tank and the processing time was increased from 70 seconds dry-to-dry to 120 seconds. Further, the critical temperature for the wash water was found to be between 25 deg C and 30 deg C. Below 25 deg C washing was inadequate, above 30 deg C the optical brightener tended to be washed out of the print, resulting in a slight degradation of highlights (In any event, the optical brightener is destroyed by exposure to daylight. This has no bearing on the archival stability of the image). This modified machine has been in use for about five years now and regular quality controls have not detected any residual fixer. Concerning the acceptable level of thiosulfate in RC prints we feel that there should be no measurable thiosulfate in such RC prints after processing. On the other hand our experience also tells us, that most problems of yellowing and discoloration in exhibited RC-prints originates from pollutants in the atmosphere - not residual thiosulfate. However, we have no scientific results on this. Furthermore, we know that a high content of residual thiosulfate from fixer can stabilise negative films, but the amount "needed" varies between products and also between fixer formulas. As a consequence of these observations we have decided upon processing procedures at the Conservation Department in which all films and prints are washed to the extent that no residual fixer is measurable when using the methods described in the ISO 417 standard. Furthermore, all prints whether RC or FB are protected against pollutants by a stabilising toning treatment before they leave the Photo Lab at the Conservation Department. We have examined several products such as Kodak Rapid Selenium Toner, Kodak Brown Toner and IPI SilverLock for this purpose. Toners and procedures were tested according to the ANSI/NAPM IT9.15-1993 standard (The Effectiveness of Chemical Conversion of Silver Images against Oxidation - Methods for Measuring). We found that the Kodak Rapid Selenium Toner gave very unpredictable results. The same recipe reacted very differently with different products. This was true for both prints and films. The other two sulfiding products gave very consistent results with different products and showed an excellent ability to protect prints and films against oxidation. For prints the Kodak Rapid Selenium Toner was however preferred due to the image hue it created. Further tests demonstrated that Ilford Mulitgrade RC-papers should be treated in a solution of one part of Kodak Rapid Selenium Toner to three parts of water at 20 C for 5 minutes and then rinsed for 5 minutes. One gallon of working solution will treat 200 20x25 cm RC-prints so that they will meet the criteria in the ANSI/NAPM IT9.15-standard. Less concentrated solutions will provide inadequate protection. Both the laboratory testing and practical experience confirms this. Our standard procedure includes selenium treatment of all processed RC prints. Continuous quality control of all toner treated batches of print papers is carried out according to the ANSI/NAPM IT9.15-standard to secure the highest archival standard for RC-prints. However, for maximum permanence of photographic prints for exhibitions we recommend fiber-based paper including selenium or sulfur treatment. Our results and recommendations for different products are published in: Jesper Stub Johnsen and Karen Brynjolf Pedersen: "Comparison of Selenium and Sulfur Treatment for Protecting Photographic Silver against Oxidation" in: Nordic Conservation Congress, Copenhagen, Denmark 1994-99-111. Jesper Stub Johnsen: "Archival processing of black-and-white photographs as preventive conservation". In: Preprints, 8. International IADA Congress, Tubingen, 19-23 September 1995. Jesper Stub Johnsen Photographic Conservator The National Museum of Denmark Conservation Department *** Conservation DistList Instance 11:29 Distributed: Thursday, September 25, 1997 Message Id: cdl-11-29-009 ***Received on Thursday, 25 September, 1997