Subject: Wood consolidation
Jane Ketcham inquired about the use of Abatron "Liquid Wood" and "WoodEpox" products on maritime/architectural objects. I would agree that an architectural stabilization approach, in this case, would be the one to take. I am currently developing a treatment for a wooden boat which also has been exposed to extreme conditions, but which fortunately will be stored indoors after treatment. I am going to use the Abatron products on the areas of the structure that have been rotted and broken, in addition to wood fills. I would be important to insure that the wood is as dry as possible before using the wood consolidant. I have visually compared Abatron's products with other similar epoxy wood filling/consolidating systems that I have seen at trade shows, and the Abatron products are superior in terms of density, appearance, workability, and ease of coloring. I have recently used the WoodEpox filler on a small wooden object and the results were very good. In that case, I consolidated the insect-damage areas with 5% Butvar B-98 in ethanol prior to reconstructing major lost features and filling gaps in areas that would have structural stresses. I wanted the treatment to be as reversible/retreatable as possible. The WoodEpox adhered well to the consolidated areas. The company literature leads one to believe that it will only work well with Liquid Wood treated surfaces, but as usual, one has a wider range of options. The product is easy to mix and work with and it does not add much weight to the object as do other epoxy fillers. After setting, it is easy to shape with sandpaper and rotary tools. Abatron can supply an extensive list of institutions that have used their products for architectural restoration projects. Perhaps you can find someone who has used the materials on objects that are exposed to the same conditions as the ones that you are surveying will be. *** Conservation DistList Instance 11:18 Distributed: Friday, August 22, 1997 Message Id: cdl-11-18-003 ***Received on Wednesday, 20 August, 1997