Subject: Symposium on moving image preservation
A Moving Image Preservation Symposium is being held this weekend at Chapman University, in Orange, CA. It will be held on Saturday, April 19, from noon until 6 p.m., in Argyros Forum, room 208. Following is a list of some of the speakers who will be there. We also will have an organist accompanying the silent films, in addition to one more speaker from the UCLA Film and Television Archive. The cost of the event is $20, which includes refreshments. Please make a reservation with Maureen Furniss, 714-744-7018, as soon as possible. It's going to be great. I hope to see you there. Sandra Joy Lee Curator, Moving Image Archive, USC "Do-It-Yourself Film Preservation for the Do-It-Yourself Filmmaker" Sandra Joy Lee is Curator of the Moving Image Archive in the School of Cinema-Television at the University of Southern California and has been working with film and video for ten years. She received her B.A. degree in Film Studies from the University of California at Santa Barbara and an M.L.I.S. degree from UCLA's Graduate School of Library and Information Science. Her research interest is the history and evolution of cinema technology. She is the President of the Movie Machine Society and is a Co-founder of the Society of Moving Image Artifact Curators (SOMIAC). She is also affiliated with the Technology Council for the Motion Picture-Television Industry and is a Preservation Committee Member for the Association of Moving Image Archivists, as well as a member of the Magic Lantern Society and the SMPTE Archival Papers and Historical Committee. Francisco Menendez Professor of Film, University of Nevada, Las Vegas "Restoring History: Bringing Back the Shorts of Baltazar Polio, a Salvadorian Experimental Filmmaker" Francisco Menendez began making movies at the age of nine in his native country of El Salvador. In 1985, Menendez won the Dore Schary Award for his documentary of Mexican children along the U.S. border, Los Ni=F1os Thinking About Others. He was also honored as the Outstanding Graduate of the Year at University of Puget Sound, where he had begun teaching film as an undergraduate. In 1989, Menendez received his M.F.A. in Film/Video at the California Institute of the Arts, where he learned the craft of directing under British director Alexander Mackendrick. After Cal Arts, Menendez continued production on his first feature-length narrative film, Backstage. Currently, he is an Associate Professor in the Film Department at the University of Nevada, Las Vegas, teaching advanced courses in screenwriting, production, and non-linear editing. His areas of research are narrative theory, new technologies and the restoration of Central American films. Currently, he is the director of SCRIPT, the screenwriting arm of the University Film Video Association. Randy Haberkamp The Silent Society speaking on silent cinema Randy Haberkamp is the founder of The Silent Society, a non-profit organization dedicated to the appreciation, presentation, and preservation of silent film art. He is a graduate of Bowling Green State University and received his Master's degree in Film and Television from UCLA. The Silent Society is based in the Hollywood Studio Museum, housed in the DeMille-Lasky Barn Studio, where Hollywood's first feature film, The Squaw Man, was shot in 1913. Randy is past President and currently on the Board of Directors of Hollywood Heritage, a preservation organization that has overseen the sustenance of the Barn and other historic Hollywood landmarks. He also has served as President and Vice President of The Society for Cinephiles, which presents an annual festival of classic films. He is currently employed as the Director of Specials and Feature Films for the CBS Television Network. Dan Einstein UCLA Film and Television Archive speaking on early television Dan Einstein has been the Television Archivist at the UCLA Film and Television Archive since 1979. A graduate of the University of California at Berkeley, he earned his M.A. in Film and Television Studies at UCLA's Department of Theater, Film and Television. In 1989, he received an Emmy Award for his contributions toward the restoration and preservation of the landmark television special, "An Evening with Fred Astaire." He is the author of Special Edition: A Guide To Network Television News Documentary Series and Special News Reports, 1955-1979 (scarecrow Press, 1987) and the just-published companion volume covering the years 1980-1989. He has authored articles on television and film for Emmy Magazine, Camera Obscura, Magill's Survey of Cinema and other publications on media history. He has taught film studies courses at a Los Angeles Area community college and is a member of the Association of Moving Image Archivists (AMIA). Richard May Vice-President, Film Preservation, Warner Bros. speaking on feature films Richard May started working in the motion picture business over forty years ago, in theaters in Oklahoma City. From 1952 - 1984, he worked in theatrical distribution for Universal, Disney, 20th Century Fox and MGM. He joined Turner Entertainment in 1986, when Turner bought the MGM, pre-1950 Warner Bros., and RKO libraries, with his primary responsibility in the preservation and restoration of the films. With the merger of Turner and Time-Warner in November 1996, he moved over to Warner Bros. to continue the same responsibility for the combined companies, maintaining the care given by both Warner Bros. and Turner to their films. Maureen Furniss, Ph.D. Editor, Animation Journal Assistant Professor School of Film and Television Chapman University 333 N. Glassell Orange, CA 92866 USA 714-744-7018 Fax: 714-997-6700 *** Conservation DistList Instance 10:89 Distributed: Thursday, April 17, 1997 Message Id: cdl-10-89-024 ***Received on Tuesday, 15 April, 1997