Subject: Repairing parchment with collagen
Jack Thompson has, unawares, fallen foul of the all too common, woolly and inaccurate use of the term "collagen" here in the UK. Christine and others insist on using this word when in fact they mean sausage and other casings made from reconstituted collagen. This will help to explain Christine's reference to "a dubious flirtation with gelatine" (sic). It may be useful to give a more precise definition of the term. The pure collagen molecule is a stable scleroprotein; it is a triple helix consisting of strings of amino acids with peptide linkages. It is the most abundant protein in all animals (mammals, birds, fish) and is identified by the existence of hydroxyproline as one of the amino acids, which only exists in collagen. Each species of animal produces slightly different collagen, the difference being in the proportion of glycine, proline and hydroxyproline and the other, less common, amino acids in the molecule. As Jack rightly points out, isinglass is a form of collagen--fish collagen or ictheogen (I think I may have spelt this wrong); it is the swim bladder of certain fishes and 'isinglass' is simply its (Scandinavian?) popular term, used especially by brewers who use the material ground up to clarify beer etc. Christine seems to be using the term to mean ground up fish collagen made into an adhesive. In book and archive terms, collagen is most frequently found as parchment or vellum. During its transformation during production of parchment, skin undergoes substantial changes, the principle one in this context being the fact that several other skin components are dissolved and scraped away to leave just three: collagen 85.4%, water 13% and residual lime (calcium carbonate) 1.6% is a typical final composition. The collagen fibres are not reduced in size and their naturally grown network is retained. This network simply loses the non-collagenous matter (fats, proteoglycans, plasma proteins) that exists between the collagen fibres in raw skin. How does this compare with reconstituted collagen used commercially in meat wrapping? Dominic Wall of Suffolk Record Office recently approached some casings manufacturers and asked for detail of their material. He sent me this information for consideration and comment. The material produced by Naturin Ltd for example, cited the following as uncoloured material: collagen 65% water 13% glycerol and sorbitol 20% ash 2% The pH value was cited as a parameter at 4.0 - 7.0. Devro Ltd quoted collagen 70.5% glycerol 20.3% sorbitol 5.3% chloride (as HCl) 2.7% fat 1.0 The process used to get the collagen dough is basically animal products (cattle bits) reduced in HCl--hydrochloric acid--(or similar depending on the producer). One process description (quoted in the past by Maria Woods in her paper discussing the use of casings for parchment treatment several years ago and later by myself in the Journal of the Society of Archivists Vol 16 no. 1995) says the reduced material is ground up and added to: "...acid which causes the cells to swell and burst. The mix is spun extruded through a machine into a bath of aluminium sulphate and buffered to pH7 and very lightly tanned, then bathed in a mixture of alum, ammonium sulphate and citric acid, after which it is washed and made supple with glycerol, air dried for 10 minutes at 70 deg C and cured for about 24 hours at 80 deg C." Phew!! I don't know how this particular recipe compares with those currently in use. Some readers may be reassured that the remaining hydrochloric acid in the Devro material (and presumably its equivalent as ash in Naturin's) is only 2.7%. They should not be reassured. To put it in perspective, when we as conservators deacidify/buffer with magnesium or calcium bicarbonate we are seeking to deposit magnesium or calcium carbonate to actively protect documents etc for a long time. The residue left after treatment can be considered very good if we manage to impart 0.5% carbonate residue. The manufacturers quoted 'shelf life' periods of a year. One stated: "The product can be stored at room temperature under a relative humidity of <65% for at least 12 months in the closed original packaging." Presumably what happens if you remove the material from its packaging is just what I have found when looking at casings stored in my (controlled) lab. A steady loss of flexibility leading to embrittlement. Hardly surprising when you bear in mind that the collagen fibres have been reduced in length to a fraction of their original, natural size in the acid preparation process. The glycerol and sorbitol will be there presumably to ensure the casings keep a little of their flexibility for the time between being wrapped around sausage meat and being eaten--I suggest not a very long period! Can I make my message any clearer? This material is not intended for use in conservation. If we contrast this with goldbeaters' skin, which has been around as a repair material for centuries and has been proven as stable, I do not understand why some people still wish to pursue casings as a suitable alternative. The only consideration I have been able to find is that it can be got free from some of the producers. When you consider that new parchment used for infilling costs considerably more per square inch than goldbeaters' skin but the casings users do not balk at buying and using large quantities of it, you may well ask why the cost of goldbeaters' skin is considered such a difficulty. I know that Christine has in the past stated that she found that the application of goldbeaters' caused some slight curling of the parchment, suggestive of undue shrinkage of the goldbeaters' patch during drying. In ten years of use I have only observed this effect when too much gelatin adhesive was applied and when the goldbeaters' skin had been over-stretched during its preparation--both effects found in material treated when I was still training and had not mastered its careful use. I agree with Jack entirely about the use of starch for treating parchment. The incompatibility of starch; its lack of hydrophilia and the effect that this has on a hydrophilic material such as parchment; the long term chemical retrograding of the amylose content of starch into a non-soluble cross-linked solid; all these factors combined with the shrinkage of the parchment caused by the liquid water necessary to make starch paste usable and to subsequently reverse it, all mitigate against starch being used to treat parchment. As if this wasn't enough, gelatin adhesive used for the application of goldbeaters' skin is simply collagen in solution with water. Unlike the vast majority of other colloids (including starch paste) gelatin does not display syneresis during drying: i.e. the consolidation of the solute and subsequent exclusion of liquid water. To put it another way, starch and other colloids will separate out during the drying process, allowing liquid water to penetrate the parchment. Gelatin can only lose water as a vapour. As has been amply demonstrated elsewhere, the only genuinely safe way of humidifying parchment is by the use of water vapour (I do not mean cold steam here, which is liquid water in droplets). Parchment will be adversely affected by shrinkage on drying in air if liquid water is applied to it, but parchment is able to take up and lose water as a vapour without damage. Gelatin is, then, not only the same material as the parchment being treated (especially if it is derived from parchment scraps) but it is also not damaging if used properly as an adhesive. For those interested I can strongly recommend Betty Haines' paper The Physical and Chemical Characteristics of Parchment, Casings, Goldbeater's Skin and Gelatin, published by the Society of Archivists in 1994 in the proceedings of its annual meeting for 1993 entitled Conservation for the Future, Dorset AIM. Perhaps it is time for a re-print of the paper for wider circulation? Chris Woods Dorset Record Office *** Conservation DistList Instance 10:89 Distributed: Thursday, April 17, 1997 Message Id: cdl-10-89-005 ***Received on Wednesday, 16 April, 1997