Subject: Theses and dissertations
Recently some issues concerning unusual formats in theses and dissertations surfaced in our department (Special Collections). I'm writing for some feedback from those of you who have had experience. Specifically for theses/dissertations in fine arts, architecture, urban and regional planning, etc. in which photographs, textiles, and other essentially two-dimensional art works form part of the final work, we have the following questions. What has been the result of including mounted art work within the binding? Have any of your schools allowed mounted art works and/or text on both sides of the sheet of paper? When such is allowed, what problems occur when mounts face each other? When mounted work faces printed text? What remedies to these problems work: i.e., interleaving and if so with what? What problems exist with variations of paper weights for mounting stock and text paper? Finally, do any of you recommend a limitation on total thickness of a theses or dissertation before requiring the work be split into two volumes or the art work separated from the text and stored in an envelope or portfolio. Thank you for your responses. James F. Cartwright University Archives University of Hawaii *** Conservation DistList Instance 5:36 Distributed: Sunday, January 19, 1992 Message Id: cdl-5-36-011 ***Received on Thursday, 16 January, 1992