Re: [ARSCLIST] Pristine Audio (?!)

[Scott Phillips <scottp@xxxxxxxxxxxxxxxxxxx>]

One can only hope !! 

-----Original Message-----
From: Association for Recorded Sound Discussion List
[mailto:ARSCLIST@xxxxxxx] On Behalf Of RA Friedman
Sent: Wednesday, December 05, 2007 4:00 PM
To: ARSCLIST@xxxxxxxxxxxxxxxx
Subject: Re: [ARSCLIST] Pristine Audio (?!)

I guess every generation says this! Take heart. Invariably some
youngster comes along and decides to learn the "old school way" and
revive craftsmanship. The real question is "Can they find their niche?" 

	-----Original Message----- 
	From: Association for Recorded Sound Discussion List on behalf
of Scott Phillips 
	Sent: Wed 12/5/2007 12:56 PM 
	To: ARSCLIST@xxxxxxxxxxxxxxxx 
	Cc: 
	Subject: Re: [ARSCLIST] Pristine Audio (?!)
	
	

	Sometimes I think that mastering (or remastering) skills are
decreasing
	at a rate similar to the rate of decline in the quality of
recording
	engineers. As the 'old school' talent retires, the younger
replacement
	talent has never learned fully to deal with the effort to use
the holes
	in the sides of ones' head. Instead there is the mouse and
automatic
	digital tools. The most disappointing thing is that it isn't the
tools
	that are the problem. They are far, far better than they have
ever been.
	It is the people, the attitudes, the 'easy way out' laziness
that is the
	most disappointing.
	
	Scott
	
	
	-----Original Message-----
	From: Association for Recorded Sound Discussion List
	[mailto:ARSCLIST@xxxxxxx] On Behalf Of Don Cox
	Sent: Wednesday, December 05, 2007 10:47 AM
	To: ARSCLIST@xxxxxxxxxxxxxxxx
	Subject: Re: [ARSCLIST] Pristine Audio (?!)
	
	On 05/12/07, Marcos Sueiro Bal wrote:
	
	> Tom & Doug,
	>
	> A-men.
	>
	> It amazes me how professional mastering engineers can be lured
into
	> over-processing. A couple of years ago I consulted for a major
box-set
	
	> re-issue and the original mastering (from a reputable house)
on Cedar
	> was full of digi-swish. I believe that they had just gotten
the system
	
	> and were a little knob-happy (something that I admit to be
susceptible
	
	> of when using a new piece of gear). I convinced them to back
off a bit
	
	> (although, alas, they never fixed the pitch drift).
	>
	> As these tools become more commonplace and we learn to use
them, we
	> can only hope that these artifacts will be a thing of the
past.
	>
	I think ear fatigue is a major problem. It is very hard even for
an
	engineer to avoid adapting to what is coming out of the speakers
after
	working for an hour or two.
	
	So you tend to keep turning the knobs a bit further.
	
	Regards
	--
	Don Cox
	doncox@xxxxxxxxxxxxxx