Does anybody know the history of the names "King Biscuit Flower" vs "King Biscuit Flour",and
indeed if the former is still running new programs ? Did they just change the spelling to avoid
legal troubles ?
I myself,own six King Biscuit Flower Hour programs.I used to see them fairly regularly in
"Goldmine".I tried to sell a couple,in 2002 on eBay,and I was told DIR Broadcasting (Do they still
exist ?) wanted them pulled under VeRO rules.The King Biscuit Flower Hour
http://www.kingbiscuit.com/ site,says they only broadcast from the archives.
Whatever happened to International Grocers,who actually made the flour ?
Roger
"Steven C. Barr(x)" <stevenc@xxxxxxxxxxxxxx> wrote: ----- Original Message -----
From: "Dave Nolan"
http://www.nytimes.com/2007/03/12/technology/12video.html?
_r=1&8dpc&oref=slogin
Who Owns the Live Music of Days Gone By?
By ROBERT LEVINE
Published: March 12, 2007
When it began in 1973, the "King Biscuit Flower Hour" was very much of its
time.
First...there is also a major battle about the name, "King Biscuit Flower/
Flour!" The original King Biscuit Flour (the sponsor's name) program was
a live blues radio program of the postwar era, featuring "Sonny Boy
Williamson" (II-Rice Miller)...broadcast in the Helena, Arkansas area
on a low-power station. These days, Helena presents a "blues festival"
which, until corporate lawyers intervened, was called the "King Biscuit
Flour Festival." The lawyers, of course, felt the festival should pay
gazillions of dollars for using the name. Meanwhile, the original King
Flour Mills are long since defunct...and didn't assign their name to
anybody, insofar as is known! This has generated a "take sides" battle
in the world of blues...
Second...since the audio portion of any surviving video/film archives
is probably covered under the current copyright law...which places
sound recordings fixed since 1/1/72 (and previously, albeit indirectly...)
under pseudo-eternal copyright (it currently lapses on 1/1/2067, but
a few pen strokes and an approving vote can extend that for the life
of the planet...) it is possible that the video version could be
legally made available...sans audio! ("We regret being unable to
provide the audio portion of this item, but it is under copyright...").
Meanwhile (in the USA) about 99.9% of "the music of days gone by"
continues in its "dog in the manger" limbo, under the ownership
of huge multinational firms ("You can't reissue it, because it's
ours...and we won't reissue it, because our accounting department
doesn't foresee a large enough profit...!").
Fortunately, my hundred-or-so cassettes I made of live performances
of my blues band back in 1986-88 aren't in dispute...nobody else
WANTS the dommed things...!
Steven C. Barr
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