Re: [ARSCLIST] Digitizing Sound Files for Preservation and Access...

[Sue Salinger <salinger@xxxxxxxxxx>]

Hi John.

The Naropa Audio Archive Project has now digitized 900 hours of the 2000
that we're funded for. We create multiple formats of sound files on
several different media, we create MARC records, and 300 hours of the
collection is now available online at www.archive.org (click
through'audio' to 'naropa').

We'd be happy to answer any questions you may have.

Contact us at 303-546-3573. You can speak to Joe, Tim or Sue.

Best regards,
Sue Salinger
salinger@xxxxxxxxxx

-----Original Message-----
From: Association for Recorded Sound Discussion List
[mailto:ARSCLIST@xxxxxxx] On Behalf Of Watsky, Lance
Sent: Monday, February 07, 2005 7:28 AM
To: ARSCLIST@xxxxxxxxxxxx
Subject: Re: [ARSCLIST] Digitizing Sound Files for Preservation and
Access...

John,

Jim Lidner and the Dance Heritage Coalition just released a wonderful
book on a recent video digitilization project it is available as a pdf,
see the publications section of http://danceheritage.org/ 

Sharon Owen and The Center for Oral and Public History
(http://coph.fullerton.edu ), California State University, Fullerton,
put together a paper entitled "Digiting Audio for Archival and
Preservation Purposes: A Step by Step Guide", you should really locate a
copy of this paper.

Good luck,
Lance Watsky
Preservation & Media Specialist
The Georgia Archives
5800 Jonesboro Road
Morrow, GA 30260
678-364-3764 (phone)
678-364-3860 (fax)
lwatsky@xxxxxxxxxxxxxxx
www.GeorgiaArchives.org




-----Original Message-----
From: Association for Recorded Sound Discussion List
[mailto:ARSCLIST@xxxxxxx]On Behalf Of John Erdmann
Sent: Sunday, February 06, 2005 5:50 PM
To: ARSCLIST@xxxxxxxxxxxx
Subject: [ARSCLIST] Digitizing Sound Files for Preservation and
Access...


Hello,

I am a grad student in the MLIS program at the University of
Washington, currently taking a class on Archiving.  I am working with
two other students on a group research paper, the topic of which is
"Digitizing Sound Files for Preservation and Access".  We want to
focus on the challenges of such projects, in terms of technology,
remote access, and (possibly) the surrounding legal issues.  What are
the
challenges that Sound and Music Archivists currently face?  We would
appreciate any ideas, comments, or direction toward good literature
on this topic.

Thanks much!

John


--
John Erdmann
Graduate Student
Library & Information Science
Email:  gradalis@xxxxxxxxxxxxxxxx
Phone:  206-685-5240