THE ANCIENT EGYPTIAN COLLECTION AT THE MUSEUM OF FINE ARTS, BOSTON. PART 2, A REVIEW OF FORMER TREATMENTS AT THE MFA AND THEIR CONSEQUENCES
SUSANNE G�NSICKE, PAMELA HATCHFIELD, ABIGAIL HYKIN, MARIE SVOBODA, & C. MEI-AN TSU
Over the past decades, the demand to display objects of the Egyptian Collection of the Museum of Fine Arts, Boston (MFA), has dramatically increased, with many national and international loans, some of long-term nature. Exhibitions and loans have provided the opportunity to study, treat, re-treat, and mount large groups of objects. Numerous artifacts received emergency stabilization upon excavation in the field (see Part 1, G�nsicke et al. 2003). Subsequent phases of restoration and conservation followed frequently in Boston. Grouped by material class, this article examines these treatments carried out at the MFA over the latter half of the 20th century and discusses their implications for the re-treatment of objects. Drawing on a wide variety of written and oral resources, in addition to the sometimes incomplete conservation documentation, the gathered information helps us to reconstruct the treatment history of these objects. This information is fundamental to the understanding of the current condition, as well as for the design of future treatments. The preservation of any information in itself becomes, thus, a vital element of conservation. Appendix 1 provides a summary of materials mentioned in this article and the previous one, Part 1.