THE ANCIENT EGYPTIAN COLLECTION AT THE MUSEUM OF FINE ARTS, BOSTON. PART 1, A REVIEW OF TREATMENTS IN THE FIELD AND THEIR CONSEQUENCES
SUSANNE G�NSICKE, PAMELA HATCHFIELD, ABIGAIL HYKIN, MARIE SVOBODA, & C. MEI-AN TSU
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SUSANNE G�NSICKE received a certificate in archaeological conservation from the R�misch-Germanisches Zentralmuseum, Mainz, Germany, in 1987, followed by an advanced-level internship at the Museum of Fine Arts, Boston, and an Andrew W. Mellon Fellowship in objects conservation at the Metropolitan Museum of Art. She worked as site conservator at the New York University Apis Expedition at Memphis, Egypt, and at the MFA Expedition at Gebel Barkal, Karima, Sudan. Currently associate conservator of objects in the Department of Conservation and Collections Management, she has been employed at the Museum of Fine Arts, Boston, since 1990. She has published and lectured widely on the technical study of ancient Egyptian and Nubian material culture and on issues of site preservation. Address: Objects Conservation, Museum of Fine Arts, Boston, 465 Huntington Ave., Boston, Mass. 02115
PAMELA HATCHFIELD is head of objects conservation at the Museum of Fine Arts, Boston, where she has been employed since 1985. She has a master's degree in art history and a certificate in conservation from New York University. She served an advanced-level internship at the Harvard University Art Museums and has worked and volunteered in conservation at numerous institutions including the Metropolitan Museum of Art, the Harvard University Art Museums, the Smithsonian's National Museum of Natural History, the Cooper-Hewitt National Design Museum, and the Grenada National Museum. She has also served as site conservator on the New York University Apis Expedition at Memphis, Egypt, and the Museum of Fine Arts, Boston, Expedition to the Western Cemetery at Giza. She has held numerous positions within AIC, including program chair and chair of the Objects Specialty Group, AIC Board member (director for public outreach), and chair of the Publications Committee. Under a Kress Publications Grant from AIC, she has recently authored Pollutants in the Museum Environment: Practical Strategies for Design, Exhibition and Storage. With Jane Carpenter, she published Formaldehyde: How Great Is the Danger to Museum Collections? Her research interests include the museum environment, the examination and treatment of archaeological wood, polychrome, and stone, and Egyptian gilding methods. Address as for G�nsicke
ABIGAIL HYKIN is associate conservator of objects in the Department of Conservation and Collections Management at the Museum of Fine Arts, Boston. She received her M.A. and certificate of advanced study in objects conservation from the State University College at Buffalo, New York, in 1992. She continued her training at the Asian Art Museum of San Francisco, the Center for Conservation and Technical Studies at the Fogg Art Museum, and the MFA. She was assistant conservator of decorative arts and sculpture at the J. Paul Getty Museum from 1995 to 2000. Address as for G�nsicke
MARIE SVOBODA is a graduate of the State University of New York, College at Buffalo, Art Conservation Program, receiving her M.A. and certificate of advanced study in 1994. Her postgraduate experience includes positions at the Museum of Fine Arts, Boston, the Smithsonian Center for Materials Research and Education, the J. Paul Getty Museum, and the Los Angeles County Museum of Art. Her interest and love for the conservation of archaeological material has led her to work at excavations in Turkey, Pakistan, and Honduras. As of 1997 she has been an assistant conservator at the Museum of Fine Arts, Boston. Address as for G�nsicke
C. MEI-AN TSU received her M.S. in objects conservation from the University of Delaware in 1995 and held conservation fellowships at the Freer Gallery of Art, Harvard University Art Museums, and Smithsonian Center for Materials Research and Education. She has worked as an archaeological conservator in Turkey, Israel, Honduras, and Pakistan and is currently involved in the preservation of cuneiform tablets in Turkey. Prior to becoming an assistant conservator at the Museum of Fine Arts, Boston, in 2000, she was a project coordinator and assistant conservator at the Isabella Stewart Gardner Museum. Address as for G�nsicke