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SUPPLEMENTAL READING

Alarc�nC., R.Lutteroth, and A. A.Lutteroth. 1993. Tecnologĺa de la obra de arte en la �poca colonial pintura mural y de caballete excultura y orfebrer�a. Mexico City: Universidad Iberoamericana.

Anderson, A. J. O.1963. Materiales Colorantes Prehispanicos. Estudios de cultura Nahuatl4:73–83.

Boone, E. H., and W. D.Mignolo, eds.1994. Writing without words: alternative literacies in Mesoamerica and the Andes. Durham, N.C.: Duke University Press.

Carrillo y Gariel, A.1983. T�cnica de la pintura de Nueva Espa�a. Mexico City: Universidad Nacional Autonoma de Mexico.

Castell� Yturbide, T.1988. Colorantes naturales de M�xico. Mexico City: Industrias Resistol.

Cort�sH.1962. Five Letters of Cort�s to the Emperor, trans. J. B. Morris. New York: Norton.

Gibson, C.1964. The Aztecs under Spanish rule: A history of the Indians of the valley of Mexico 1519–1810. Stanford, Calif.: Stanford University Press.

Guti�rrez-Witt, L.1992. Mapping Mesoamerica in the 16th century: The merger of traditions in the Relaciones Geogr�ficas. In Library chronicle, ed.D.Oliphant and R.Bradford. Austin: Harry Ransom Humanities Research Center, University of Texas at Austin. 54–67.

Hern�ndez, F.1942–46. Historia de las plantas de Nueva Espa�a. 3 vols. Mexico City: Imprenta Universitaria.

Hern�ndez, F.1959. Historia natural de Nueva Espa�a. Mexico City: Universidad Nacional de Mexico.

DeLanda, F. Diego. 1994. Relaci�n de las cosas de Yucat�n. Mexico City: Consejo Nacional para la Cultura y las Artes.

Lockhart, J.1991. Nahuas and Spaniards: Postconquest central Mexico history and philosophy. Stanford, Calif.: Stanford University Press.

Lockhart, J.1992. The Nahuas after the conquest: A social and cultural history of the Indians of central Mexico, 16th through 18th centuries. Stanford, Calif.: Stanford University Press.

Mart�nez Cort�s, F.1970. Pegamentos, gomas y resinas en el Mexico prehispanico. Mexico City: Resistol, S. A.

Sahag�n, B.de1978. The war of the conquest: How it was waged in Mexico, trans. A. J. O. Anderson and C. E. Dibble. Salt Lake City: University of Utah Press.

AUTHOR INFORMATION

MARY ELIZABETH HAUDE received her B.F.A. in studio art and her M.L.I.S. with an advanced certificate in conservation from the University of Texas at Austin. Currently she is a paper conservator at the Huntington Library, Art Collections, and Botanical Gardens. Address: Huntington Library, Art Collections, and Botanical Gardens, 1151 Oxford Rd., San Marino, Calif. 91108.

APPENDIX

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