REFERENCES

Augerson, C. C., and J. M.Messinger. 1993. Controlling the refractive index of epoxy adhesives with acceptable yellowing after aging. Journal of the American Institute of Conservation32: 311–14.

Davison, S.1981. New materials in the service of glass restoration. Annales du 8e Congress Internationale d'Etude Histoire du Verre. Liege, Belgium: 369–75.

Davison, S.1984. A review of adhesives and consolidants used on glass antiquities. IIC preprints, 10th International Congress, IIC, Paris. London: IIC. 191–99.

Down, J. L.1984. The yellowing of epoxy resin adhesives: Report on natural dark ageing. Studies in Conservation29: 63–76.

Eckmann, C.1995. Ein schnellh�rtender silikonkautschuk auf vinylpolysiloxan-Basis als Manschettenmaterial bei Erganzungen von Glas�rn. Arbeitsbl�tter f�r Restaruratoren: 72–76.

Errett, R. F.1972. The repair and restoration of glass objects. The Bulletin of the International Institute for Conservation—American Group, no. 12. Washington. D.C.: IIC. 48–49.

Fisher, P.1988. Advances in the restoration of glass vessels. UKIC preprints, United Kingdom Institute for Conservation 30th Anniversary Conference, London. London: UKIC. 81–83.

Fisher, P.1992. HXTAL NYL-1, an epoxy resin for the conservation of glass. In Glass and enamel conservation. UKIC Occasional Paper 11. London: UKIC. 6–9.

Gedye, I.1968. Pottery and glass: The conservation of cultural property. Museums and Monuments11:109–13.

Hogan, L.1993. An improved method of making supportive resin fills for glass. Conservation News50:29–30.

Horie, C. V.1987. Materials for conservation. London: Butterworths.

Jackson, P. R.1983. Restoration of an Italic glass oinchoe with Technovit 4004A. Conservator7:44–47.

Jackson, P. R.1984. Restoration of glass antiquities. ICOM Committee for Conservation preprints, 7th Triennial Meeting, Copenhagen. Paris: ICOM. 20:13–17.

Koob, S. P.1979. The removal of aged shellac adhesive from ceramics. Studies in Conservation24:134–35.

Messinger, J. M., and P. T.Lansbury. 1989. Controlling the refractive index of epoxy adhesives. Journal of the American Institute for Conservation28:127–36.

Morg�s, A, J.Nagy, and L.P�lassy. 1984. New silicone rubber mold-making materials: The addition type silicone rubber. ICOM Committee for Conservation preprints, 7th Triennial Meeting, Copenhagen. Paris: ICOM. 20:19–20.

Newton, R. G., and S.Davison. 1989. Conservation of glass. London: Butterworths.

Noll, W.1968. Chemistry and technology of silicones. London: Academic Press.

Notman, J. H.1973. Restoration of a stained glass roundel, St. Anne with Virgin and Child. Scottish Art Review15(2):10–13.

Petermann, R.1969. Nachbildung antiker Gl�er. Arbeitsbl�tter f�r Restaruratoren1(18): 9–14.

Staude, H.1972. Die Technik des Zusammensetzens und Erg�nzens antiker Gl�ser. Arbeitsbl�tter f�r Restaruratoren1(5): 20–27.

Tennent, N. H., and J. H.Townsend. 1984. Factors affecting the refractive index of epoxy resins. ICOM Committee for Conservation preprints, 7th Triennial Meeting, Copenhagen. Paris: ICOM. 2:26–28.

Thomson, G.1986. The museum environment. London: Butterworths.

Wihr, R.1963. Repair and reproduction of ancient glass. In Recent advances in conservation, ed.G.Thomson. London: Butterworths. 152–55.

Wihr, R.1977. Restuarieren von Keranik und Glass. Munich: Callwey.

FURTHER READING

Tennent, N. H., and J. H.Townsend. 1984. The significance of the refractive index of adhesives for glass repair. In Adhesives and consolidants, ed.N. S.Bromelle, E. M.Pye, P.Smith, and G.Thomson. London: IIC. 205–12.

SOURCES OF MATERIALS

Araldite AY103/HY956, B & K Resins Ltd., Unit 2, Ashgrove Estate, Ashgrove Rd., Bromley, Kent, BR1 4TH U.K.

Ciba Polymers, Duxford, Cambridge, CB2 4QA U.K.

Distributed by, B & K Resins Ltd., Unit 2, Ashgrove Estate, Ashgrove Rd., Bromley, Kent, BR1 4TH U.K.

Conservation Materials Ltd., 1165 Marielton Way, Sparks, Nev. 89431

Fyne Conservation Services, Airds Cottage, St. Catherine', Loch Fyne, Argyll, Scotland PA25 8BA U.K.

Conservation Materials Ltd., 1165 Marielton Way, Sparks, Nev. 89431

Trylon Shallowcast embedding resin EM400PA, Trylon Ltd., Wollaston, Northamptonshire, NN29 7QJ U.K.

A. Tiranti Ltd, 27 Warren St., London W1 U.K.

Poly-Service B. V., Hoogeveenenweg 83, Postbus 160, 2910 AD Nieuwerkerk A/D Ijsse, Netherlands

Technovit 4004A, Rubert & Co., Ltd., Acru Works, Demmings Rd., Cheadle, Cheshire, SK8 2PG U.K.

Alfons Schmidt, 6-12, Speyer, St. German Strasse 14, Bavaria, Germany

I.C.I. Silastics, Imperial Chemical Industries Plc., Cleeve Rd., Leather head, Surrey, KT22 7SW U.K.

Dow Corning Corporation, Midland, Mich. 48640

Deka transparent colors, Deka Textilfarben AG, Munich, Germany

F. Ili. Maimeri & Co., Mediglia (M.I.) Italy

Available at good artists' suppliers

Astynax toughened pink dental modelling wax, Associated Dental Products Ltd., Purton, Swindon, Wiltshire, SN5 9HT U.K.

Cabot Corp., 125 High St., Boston, Mass. 02110

Resin manufacturers

Henry Marcel Guest Ltd., Riverside Works, Manchester, M40 7RU U.K.

Loctite U.K. (Division of Loctite Holdings Ltd., Consumer Products), Watchmead, Welwyn Garden City, Herts, AL7 1JB U.K.

Micro-surface Finishing Products, Inc., 1217 W. Third St. (or Box 818), Wilton, Iowa 52778

Trylon Ltd., Wollaston, Northamptonshire, NN29 7QJ U.K.

Resin suppliers, e.g., A. Tiranti Ltd.

Conservation Resources Ltd. (U.K.), Units 1, 2, and 4, Pony Rd., Horspath Industrial Estate, Cowley, Oxon, OX4 2RD U.K.

Sculptors' suppliers

Chemical suppliers

Stationers

AUTHOR INFORMATION

SANDRA DAVISON gained a diploma in archaeological conservation and worked in the British Museum for 14 years, specializing in ceramic and glass. She trained in glass restoration in Mainz, Germany. She has worked for museums in the United Kingdom, France, Malaysia, and Saudia Arabia; and lectured and published widely, including a definitive work on glass, Conservation of Glass, with Professor Roy Newton. She has taught glass restoration at the conservation schools in Copenhagen and Amsterdam, West Dean College, Chichester, the Institute of Archaeology, London University, the Getty Conservation Institute, Los Angeles, and the Smithsonian Institution of Washington, D.C. The Conservation Studio was established in London in 1984 and relocated to Thame, Oxfordshire in 1991. In 1979 she was elected a Fellow of the International Institute for the Conservation of Historic and Artistic Works (FIIC). Address: Conservation Studio, 68, East St., Thame, Oxfordshire, OX9 3JS, U.K.