ARTISTS' INTENT: MATERIAL CULTURE STUDIES AND CONSERVATION
NANCY ODEGAARD
REFERENCES
AIC. 1992. Conservation of sacred objects and other papers from the general session of the 19th annual meeting of the American Institute for Conservation of Historic and Artistic Works, Albuquerque, New Mexico, June 3–8, 1991. Journal of the American Institute for Conservation31(1):entire issue.
Anderson, R.L.1979. Art in primitive societies. Engle-wood Cliffs, N.J.: Prentice-Hall.
Bell, J.1985. Integrating archaeological collections into museum collections. Paper presented at the Society of Historical Archaeology/Conference on Underwater Archaeology Annual Meeting, Boston, Mass.
Freed, S.1981. The research pitfalls as a result of the restoration of museum specimens. In The research potential of anthropological museum collections, ed.A. M.Cantwell et al. New York: New York Academy of Sciences. 229–45.
Hilpert, B.1989. Paths of life: An interpretive approach to historical Native American collections at the Arizona State Museum. History News44(5):39–41.
Maquet, J.1971. Introduction to aesthetic anthropology: A McCaleb module in anthropology. Reading, Mass.: Addison-Wesley.
McLendon, S.1981. Preparing museum collections for use as primary data in ethnographic research. In The research potential of anthropological museum collections, ed.A. M.Cantwell et al. New York: New York Academy of Sciences. 201–27.
Mellor, S. P.1992. The exhibition and conservation of African objects: Considering the nontangible. Journal of the American Institute for Conservation31:3–16.
Odegaard, N., and R., Harvey. 1982. Preservation of North American basketry. Symbols1:1, 4.
Pearce, S. M.1991. Museum studies in material culture. Washington D.C.: Smithsonian Institution.
Pinel, S. L., and M. J., Evans. 1994. Tribal sovereignty and the control of knowledge. In Intellectual property rights for indigenous peoples: A sourcebook, ed.T.Greaves. Oklahoma City: Society for Applied Anthropology.
Smith, L.1993. A collaborative methodology for a conservation survey of Native American collections. Paper presented at the Western Association of Art Conservators annual meeting, Marshall, Calif.
Sturtevant, W.1973. Museums as anthropological data banks. In Anthropology beyond the university, ed.A.Redfield. Athens, Ga.: University of Georgia Press. 40–45.
Webster, L.1990. Altered states: Documenting changes in anthropology museum objects. Curator33(2):130–60.
Welsh, E. C., ed. 1992. Multicultural participation in conservation decision making. WAAC Newsletter14(1):13–14.
Welsh, P. H.1992. Repatriation and cultural preservation: Potent objects, potent pasts. University of Michigan Journal of Law Reform25(3–4):837–65.
West, W.R.Jr.1993. Native America: Reflections on the Quincentenary. Redlands Magazine52(2):16–18.
AUTHOR INFORMATION
NANCY ODEGAARD is head of the conservation section at the Arizona State Museum and a member of the faculty of the University of Arizona. In 1981 she received a master's degree from George Washington University and a certificate in ethnographic and archaeological conservation from the National Museum of Natural History, Smithsonian Institution. She is currently a doctoral candidate at the University of Canberra, Australia. Since 1984 she has been actively involved in international, national, regional, and tribal preventive conservation training. Her interests include the conservation of archaeological and ethnographic material culture from North and Central America, the technology of indigenous paint in the Southwest, and conservation training. Address: Arizona State Museum, University of Arizona, Tucson, Ariz. 85721.
This paper was presented at the 22d annual meeting of the American Institute for Conservation, Nashville, Tennessee, June 6-11, 1994, in the special general session on artists' intent. Received for review November 1, 1994. Revised manuscript received April 28, 1995. Accepted for publication June 16, 1995.
|