JAIC 1995, Volume 34, Number 1, Article 1 (pp. 1 to 10)
JAIC online
Journal of the American Institute for Conservation
JAIC 1995, Volume 34, Number 1, Article 1 (pp. 1 to 10)




Bry, D.1965. Alfred Stieglitz: Photographer. Boston: Museum of Fine Arts.

Bry, D.1993–94. Personal communications. New York, N.Y.

Crawford, W.1979. The keepers of light. Dobbs Ferry, N.Y.: Morgan and Morgan.

Eisler, B.1991. O'Keeffe and Stieglitz. New York: Doubleday.

Emerson, P. H.1899. Naturalistic photography for students of the art, 3d ed.London: Dawbarn and Ward.

Glinsman, L., and C.McCabe. 1995. Understanding Alfred Stieglitz's platinum and palladium prints: Examination by x-ray fluorescence spectrometry. In Conservation Research, Studies in the History of Art, vol. 51, Monograph Series II. Washington, D.C.: National Gallery of Art.

Gottlieb, A.1993. Chemistry and conservation of platinum and palladium photographs. Senior thesis. Princeton University, Princeton, N.J.

Gottlieb, A.1995. Chemistry and conservation of platinum and palladium photographs. Journal of the American Institute for Conservation34:11–32.

Greenough, S.1973. The published writings of Alfred Stieglitz. Master's thesis, University of New Mexico, Albuquerque, N.M.

Greenough, S.1992. Stieglitz in the darkroom. Exhibition brochure. Washington, D.C.: National Gallery of Art.

McCabe, C.1993. Reclearing treatments used for aged facsimile palladium prints. Unpublished report for Curatorial/Conservation Colloquy V: Alfred Stieglitz's Palladium Portraits of Georgia O'Keeffe. National Gallery of Art, Center for Advanced Study in the Visual Arts, Washington, D.C.

Nadeau, L.1986. History and practice of platinum printing, 2d rev. ed.Fredericton, New Brunswick, Canada: published by the author.

O'Keeffe, G.1949. Stieglitz: His pictures collected him. New York Times Magazine, December 11, 24–30.

O'Keeffe, G.1950. Letter to Daniel Catton Rich. January 30. Archives of the Art Institute of Chicago.

Reinhold, N.1991. An investigation of the aging of platinum and palladium photographs. Unpublished report. Art Institute of Chicago.

Severson, D.1986. The effects of exhibition on photographs. Topics in Photographic Preservation1:38–42.

Steichen, E.1963. A life in photography. New York: Doubleday.

Stieglitz, A. [1898] 1905. Platinum printing. In Picture taking and picture making. Rochester, N.Y.: Eastman Kodak Co. Reprinted In The modern way of picture making. Rochester, N.Y.: Eastman Kodak Co., 1905. 122–28.

Stieglitz, A.1934. Alfred Stieglitz: Exhibition of photographs. Exhibition brochure. New York: An American Place.

Thompson, J.1993. Processes and techniques used by Stieglitz, 1886–1940. Unpublished chronology. National Gallery of Art, Washington, D.C.

Wilhelm, H.1981. Monitoring the fading and staining of color photographic prints. Journal of the American Institute for Conservation21:49–64.

Willis, W.1880. Improved materials and processes for photochemical printing. British Patent #1117. Reprinted in Nadeau 1986.


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Danzing, R.1990. Alfred Stieglitz: Photographic processes and related conservation issues. Topics in Photographic Preservation4:57–79.

Greenough, S., and J.Hamilton. 1983. Alfred Stieglitz: Photographs and writings. Washington, D.C.: National Gallery of Art.

Lowe, S. D.1983. Alfred Stieglitz: A memoir/biography. London: Quartet/Orl Books.

Stieglitz, A.1978. Georgia O'Keeffe: A portrait. New York: Metropolitan Museum of Art.

Ware, M.1986. An investigation of platinum and palladium printing. Journal of Photographic Science34:13–25.


DOUGLAS G. SEVERSON has been the conservator of photographs at the Art Institute of Chicago since 1981. He holds an M.S. in photography from the Institute of Design at Illinois Institute of Technology and an M.F.A. in photography from Rochester Institute for Conservation Photographic Materials Group. Address: Photography Collection, Art Institute of Chicago, Michigan Ave. at Adams St., Chicago, Ill. 60603.

Copyright � 1995 American Institute for Conservation of Historic and Artistic Works