REFERENCES

Abendschein, A.1909. The secret of the Old Masters. New York: D. Appleton and Company.

Andersen. J. W.1980. The art colony at Old Lyme. Connecticut and American impressionism. Storrs, Conn.: William Benton Museum.

Andersen, J. W.1982. Old Lyme: The American Barbizon. Old Lyme, Conn.: Lyme Historical Society, Florence Griswold Museum.

Bell, R. H.1914. Art talks with Ranger. New York: G. P. Putnam's Sons. 74–76, 107–9, 113.

Benson, F. W.1926. Letter to A. Milch, November 3. Archives of American Art, Milch Gallery Papers, roll 4411, frame 1116.

Bryant, W. C. n.d. What some famous artists said to me. Unpublished journal. Archives of American Art, roll 2542, frame 236.

Clark, E.1924. John Twachtman. New York: Privately printed.

Crane, B.1920. Letter to E. and A. Milch, July 12, 1920. Archives of American Art, Milch Gallery Papers, roll 4416, frames 0092, 0084, 0094.

Curran, C.C.1910. The art of John H. Twachtman. Literary Miscellany3:72–78.

Duveneck, J. W.1970. Frank Duveneck: Painter-teacher. San Francisco: John Howell.

Hale, J. D.1957. The life and creative development of J. H. Twachtman. Ph.D. diss. Ohio State University. 248, n.1.

Hassam, F. C. [1919]. Letter to E. and A. Milch, August 19. Archives of American Art, Milch Gallery Papers, roll 4420, frames 271–72.

Hassam, F. C.1933. Untitled manuscript. Archives of American Art, American Academy of Arts and Letters Papers, roll NAA-2, frames 77–78.

Herbert, R. L.1968. Neo-impressionism. Princeton, N.J.: Van Nostrand. 21, 125.

Hiesinger, U. W.1991. Impressionism in America: The ten American painters. Munich: Prestel-Verlag/Jordan Volpe Gallery. 99, 156–58.

Inness, Jr., G.1917. Life, art and letters of George Inness. New York: Century. 233–34, 237, 253–53.

Isham, S.1927. The history of American painting. New York: Macmillan.

Lawrence, D. H.1988. Introduction to these paintings. 1929. In Poets on painters: Essays on the art of painting by twentieth-century poets. ed.J. D.McClatchy. Berkeley: University of California Press.

MacAdam, B. J.1982. Biographies of the artists. In J. W. Andersen, Old Lyme: The American Barbizon. Old Lyme, Conn.: Lyme Historical Society, Florence Griswold Museum. 46.

Merrill, L.1990. An ideal country: Paintings by Dwight William Tryon in the Freer Gallery of Art. Washington, D.C.: Freer Gallery of Art, Smithsonian Institution. 174.

New York Herald. 1903. Newspaper clipping, [March?]. Archives of American Art, Vose Gallery Papers, roll B1, unnumbered frame.

Poore, H. R.1914. The conception of art. New York: G. P. Putnam's Sons.

Spanierman, I.1987. Introduction. In Twachtman in Gloucester: His last years, 1900–1902. New York: Universe/Ira Spanierman Gallery. 7.

Swicklik, M.1993. French painting and the use of varnish: 1750–1900. In Conservation research, Studies in the history of art, 41, Monograph series 2. Hanover, N. H., and Cambridge, Mass.: National Gallery of Art, Washington. 157–75.

Whistler, J. A. McN.1890. The gentle art of making enemies. New York: John W. Lovell.

White, H. C.1930. The life and art of Dwight William Tryon. Boston and New York: Houghton Mifflin. 121, 177.

White, H. C.1935. Letter to A. Milch, February 20. Archives of American Art, Milch Gallery Papers, roll 4434, frames 234–35.

White, N. C.1951. Abbott H. Thayer: Painter and naturalist. Hartford, Conn.: Connecticut Printers.

White, N. H.1992. Personal communication.

Wiggins, C.1922. Letter to A. Milch, September 1. Archives of American Art, Milch Gallery Papers, roll 4434, frame 800.

Wiggins, G. C.1922. Letter to A. Milch, 1922. Archives of American Art, Milch Gallery Papers, roll 4434, frames 840–41, 811, 822, 829.

AUTHOR INFORMATION

LANCE MAYER and GAY MYERS are both graduates of the conservation training program at the Intermuseum Conservation Association Laboratory in Oberlin, Ohio. From 1978 to 1981 they were conservators at the Cincinnati Art Museum. Since 1981 they have been in New London, Connecticut, where they spend the majority of their time working as independent conservators for many large and small museums as well as private collectors. Authors' address: Lyman Allyn Art Museum, 625 Williams St., New London, Conn. 06320.