THE EXHIBITION AND CONSERVATION OF AFRICAN OBJECTS: CONSIDERING THE NONTANGIBLE
STEPHEN P. MELLOR
REFERENCES
Anderson, M., and C. M.Kreamer. 1989. Wild spirits strong medicine: African art and the wilderness. New York: Center for African Art. 58.
Cole, H.1989. Icons: Ideals and power in the art of Africa. Washington, D.C.: Smithsonian Institution Press.
Hersak, D.1986. Songye masks and figure sculpture. London: Ethnographica. 130.
Hottot, R.1956(prepared for publication by Frank Willett). Teke fetishes. Royal Anthropological Institute of Great Britain and Ireland Journal. 86:25–36.
MacGaffey, W.1990a. The personhood of ritual objects: Kongo minkisi. Etnofoor3(1):45–61.
MacGaffey, W.1990b. Magic, or as we usually say, art. Unpublished paper. Haverford, PA. Haverford College. 4
McNaughton, P. R.1978. Bamana blacksmiths. African Arts12(2):65–71, 92.
Rubin, A.1974. African accumulative sculpture: Power and display. New York: Pace Gallery. 14.
Stevens, P.1976. The Danubi ancestral shrine. African Arts10(1):30–37, 98–99.
Van Beek, W.E.A.1988. Function of sculpture in Dogon religion. African Arts21(4):58–65, 91.
Vogel, S. M.1973. People of wood: Baule figure sculpture. Art Journal33(Fall):23–36.
OTHER SOURCES
Ardouin, C. D.1990. The West African museum project: Brief introduction. West African Museums Project Bulletin no. 1. London: International African Institute.
Barclay, R., M.Gilberg, J. C.McCawley, and T.Stone, eds.1987. Symposium 86: The care and preservation of ethnological materials. Ottawa: Canadian Conservation Institute.
Brain, R.1988. Art and society in Africa. New York: Longman Group.
Center for African Art. 1988. Art/artifact African art in anthropology collections. New York: Center for African Art.
Cole, H., and D. H.Ross. 1977. The arts of Ghana. Los Angeles: UCLA Museum of Cultural History.
Cole, H. M., and C. C.Aniakor. 1984. Igbo arts: Community and cosmos. Los Angeles: UCLA Museum of Cultural History.
de Areia, M.L.R.1985. Les symboles divinatoires. Coimbra, Portugal: Centro de Estudos Africanos, Instituto de Anthropoligia, Universidade de Coimbra.
Ezra, K.1988. The art of the Dogon. New York: Metropolitan Museum of Art.
Goldwater, R.1960. Bamana sculpture from the Westerm Sudan. New York: University Publishers.
Greenfield, J.1989. The return of cultural treasures. Cambridge: Cambridge University Press.
Huet, M.1978. The dance, art and ritual of Africa. New York: Pantheon Books.
Lamp, F.1986. The art of the Baga: A preliminary inquiry. African Arts19(2):64–67.
Lopez, D.1970. A report of the kingdom of Congo and of the surrounding countries. [1609] Reprint London: F. Cass.
MacGaffey, W.1977. Fetishism revisited: Kongo nkisi in sociological perspective. Africa47(2):172–83.
MacGaffey, W.1988. Complexity, astonishment and power: The visual vocabulary of Kongo minkisi. Journal of Southern African Studies14(2):188–203.
Mbiti, J. S.1969. African religions and philosophy. New York: Praeger Publishers.
Mbiti, J. S.1975. Introduction to African religion. New York: Praeger Publishers.
McEvedy, C.1988. The Penguin atlas of African history. London: Penguin Group.
McLeod, M., and J.Mack. 1985. Ethnic sculpture. London: British Museum Publications.
McNaughton, P. R.1988. The Mande blacksmiths: Knowledge, power, and art in West Africa. Bloomington, Ind.: Indiana University Press.
Mibach, L., and S. J.Wolfe. 1983. Ethical considerations in the conservation of Native American sacred objects. Journal of the American Institute for Conservation23:1–6.
Northern, T.1984. Art of the Cameroon. Washington, D.C.: Smithsonian Institution Press.
O'Donohue, J.1981. Spirits and magic: A critical look. Nairobi, Kenya: Gaba Publications.
Objets interdits. 1989. Paris: Foundation Dapper.
Olaniyan, R.1982. African history and culture. Essex, Eng.: Longman Group.
Parrinder, G.1987. African mythology. New York: Peter Bedrick Books.
Preston, G. N.1985. Sets, series and ensembles in African art. New York: Center for African Art.
Raphael, T.1987. The repatriation and treatment of Native American objects. In Symposium 86: The care and preservation of ethnological materials, ed.R.Barclay, M.Gilberg, J. C.McCawley, and T.Stone. Ottawa: Canadian Conservation Institute. 100–103.
Ravenhill, P.1989. Kalabari ancestral screens—levels of meaning: An exhibition devoted to the exploration of meaning in an African art form. Paper presented at the Art History Symposium on Conservation, College Art Association meetings, San Francisco, Calif.
Schaedler, K.1984. Magic with images: The magic image in relation to witchcraft, sorcery and religion. Munich: Panterra.
Schildkrout, E., and C. A.Keim. 1990. African reflections: Art from Northeastern Zaire. Seattle, Wash.: University of Washington Press.
Shanklin, E., 1990. The odyssey of the Afo-a-Kom. African Arts23(4):62–69, 95–96.
Sieber, R., and R. A.Walker. 1987. African art and the cycle of life. Washington, D.C.: Smithsonian Institution Press.
Thompson, R. F.1969. The sign of the divine king: An essay on Yoruba bead-embroidered crowns with veil and bird decorations. African Arts3(3):8–17, 74–80.
Zahan, D.1974. The Bamana, Leiden: E. J. Brill.
AUTHOR INFORMATION
STEPHEN P. MELLOR received his M.S. from the University of Delaware, Winterthur Art Conservation Program, in 1981 after completing his internship in the Objects Conservation Department for the Rockefeller collection at the Metropolitan Museum of Art. He has worked as conservator for the Peabody Museum in Cambridge, Mass., and for the African, Oceanic, and the Americas Department at the Fine Arts Museums of San Francisco. He is presently chief conservator for the National Museum of African Art, Smithsonian Institution. Address: National Museum of African Art, Smithsonian Institution, Washington, D.C. 20560.
|