JAIC 1984, Volume 24, Number 1, Article 1 (pp. 01 to 13)
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Journal of the American Institute for Conservation
JAIC 1984, Volume 24, Number 1, Article 1 (pp. 01 to 13)


Barbara Whitney Keyser


Anonymous. Some Notes on Atmospheric Humidity in Relation to Works of Art. Courtauld Institute of Art. London, 1934.

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Baer, N.S. and Indicator, N. “Use of the Arrhenius Equation in Multicomponent Systems.” Preservation of paper and Textiles of Historic Value (Advances in Chemistry Series No. 164, John C.Williams, Ed.), ∗Shortened to Preservation of Paper and Textiles of Historic Value in Subsequent references. 1977, p.337.

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Beck, Walter and Killer, Manfred. “Problems of Heating within Historic Buildings of Austria.” Conservation within Historic Buildings, IIC, London, 1980.

Berger, Gustav A. “A Structural Solution for the Preservation of Canvas Paintings.” Technology and Conservation8, 1983, p.5.

Berger, Gustav A. “Conservation of Large Canvas Paintings: The Role of Constant Tension Mounting Systems.” Technology and Conservation, Spring 1980, p.26.

Berger, Gustav A. and Zeliger, Harold I. “Detrimental and Irreversible Effects of Wax Impregnation of Easel Paintings.” ∗Shortened to ICOM CC in subsequent references. ICOM Committee for Conservation 4th Mtg., Venice, 1975, 75/11/21.

Berger, Gustav A. and Zeliger, H.I. “Effects of Consolidation Measures on Fibrous Materials. Bulletin of IIC-AG 14, 1973, p.43.

Berger, Gustav A. “Some Effects of Impregnating Adhesives on Paint Films.” Bulletin of IIC-AG 12, 1972, p.25.

Berger, Gustav A. “Testing Adhesives for the Consolidation of Paintings.” Studies in Conservation17, 1972.

Berger, Gustav A. “The Role of Tension in the Preservation of Canvas Paintings: A Study of Panoramas.” ICOM CC 6th Mtg., Ottawa, 1981. 81/2/3.

Berger, Gustav A. “Weave Interference in Vacuum Lining of Pictures.” Studies in Conservation11, 1966, p.170.

Berry, G.M., Hersh, S.P., Tucker, P.A. and Walsh, W.K. “Reinforcing Degraded Textiles Parts I and II.” Preservation of Paper and Textiles of Historic Value, 1977, p.228.

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Blom, A.V. “What Causes Paint Films to Check and Crack?” Paint, Oil and Chemical Review C, 1938, #16, p.4.

Boissonnas, Alain. “Relining with Glass-Fiber Fabric.” Studies in Conservation61961, p.26.

Booth, J.E.Principles of Textile Testing. Chemical Publishing Co. Inc., New York, 1959.

Bragdon, C.R., Ed.Film Formation, Film Properties, and Film Deterioration. Interscience, New York, 1958.

Brimblecombe, Peter and Ramer, Brian. “Museum Display Cases and the Exchange of Water Vapour.” Studies in Conservation28, 1983, p.179.

Browning, B.L. “The Application of Chemical and Physical Tests in Estimating the Potential Permanence of Paper and Paper-making Materials.” Preservation of Paper and Textiles of Historic Value. 1977, p.275.

Buck, Richard D.The Behavior of Wood and the Treatment of Panel Paintings. Upper Midwest Conservation Assoc., Minneapolis, 1978. Collection of Buck's papers from 1952–1972.

Coffin, L.F. and Kremple, Erhard, Eds.Cyclic Stress-Strain Behavior-Analysis, Experimentation, and Failure Prediction, ASTM Special Technical Publication #519,, 1971.

Collins, G.E. “Fundamental Principles that Govern the Shrinkage of Cotton Goods by Washing.” Journal of the Textile Institute30, 1939, p.46.

Colville, J.S., Kilpatrick, Wm. and Mecklenburg, M. “A Finite Element Analysis of Multilayered Orthotropic Membranes with Applications to Oil Paintings on Fabric.” Science and Technology in Service of Conservation, IIC. London, 1982, p.146.

The Conservation of Modern Paintings-Introductory Notes on Papers to be Presented. UKIC Symposium held at the Tate Gallery, London, July 1982.

Cornelius, F. duPont. “Movement of Wood and Canvas for Paintings in Response to High and Low Relative Humidity Cycles.” Studies in Conservation12, 1967, p.76.

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Cursiter, Stanley. “Control of Air in Cases and Frames.” ∗∗Shortened to Preservation of Paper and Textiles of Historic Value in Subsequent references. Technical Studies in the Field of Fine ArtsV, 1936–37, p.109.

DenHartog, J.P.Strength of Materials. Dover Publications, New York, 1949.

Dix, Ursus. “The Use of Panel Stretchers as Supports for Canvas Paintings.” Paper presented at 1980 Conference of IIC-Canadian Group, Ottawa.

Eirech, Frederick R., Ed.Rheology: Theory and Applications. 5 Vols. Academic, New York, 1969.

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Fredrickson, Arnold, G.Principles and Applications of Rheology. Prentice-Hall, Inc., Englewood Cliffs, N.J., 1964.

Gettens, R.J. and Bigelow, Elizabeth. “The Moisture Permeability of Protective Coatings.” Technical StudiesII, 1933–1934, p.15.

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Gordon, J.E.The New Science of Strong Materials. Penguin, Harmondsworth and New York, 1968.

Gordon, J.E.Structures. Penguin, Harmondsworth and New York, 1978.

Gray, Glen G. “Determination and Significance of Activation Energy in Permanence Tests.” Preservation of Paper and Textiles of Historic Value, 1977, p.28.

Gray, K.L. “The Swelling and Shrinkage of Untreated Fabrics.” Chemical Aftertreatment of Textiles (Ed. by H.Mark, N.S.Worsley, and S.M.Atlas), Wiley-Interscience, New York, 1971.

Hackney, S.J. and Hedley, G.A. “The Deterioration of Linen Canvas: Accelerated Aging Tests to Investigate the Modes of Deterioration.” Science and Technology in Service of Conservation. IIC, London, 1982, p.151.

Hackney, S.J. and Hedley, G.A. “Measurement of the Aging of Linen Canvas.” Studies in Conservation26, 1981, p.1.

Harrison, P. W. “The Tearing Strength of Fabrics: Review of Literature.” Journal of the Textile Institute51, 1960, p.51.

Hearle, J.W.S., Grossberg, P. and Backer, S. “Structural Mechanics of Fibers, Yarns, and Fabrics,” InterscienceI, 1969, Wiley, New York.

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Hedley, Gerald A. “Effect of Beeswax/resin Impregnation on the Tensile Properties of Canvas.” ICOM CC 4th Mtg., Venice, 1975, 75/11/7.

Hedley, Gerald A. “The History of Lining Since 1945.” Unpublished paper presented at seminar at Canadian Conservation Institute, Ottawa, April, 1983.

Hedley, Gerald A. and Villers, C. “Polyester Sailcloth Fabric: A High-Stiffness Lining Support.” Science and Technology in Service of Conservation, IIC, London, 1982, p.154.

Hedley, Gerald A. “Some Empirical Determinations of the Strain Distribution in Stretched Canvases.” ICOM CC 4th Mtg., Venice, 1975, 75/11/4.

Hedley, Gerald A. “The Stiffness of Lining Fabrics: Theoretical and Practical Considerations.” ICOM CC 6th Mtg., Ottawa, 1981, 81/2/2.

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Keyser, Barbara W. “Encyclopedias of Ignorance: A Critical Look at Twentieth-Century Artists' Manuals.” Symposium on Conservation of Contemporary Art, National Gallery of Canada, Ottawa, 1980.

Kuhn, Thomas S.The Structure of Scientific Revolutions, 2nd Ed., University of Chicago Press, Chicago, 1970.

Laurie, A.P.The Pigments and Mediums of the Old Masters. MacMillan and Co., Ltd., London, 1914.

Laurie, A.P.Simple Rules for Painting in Oils. Winsor & Newton, London, undated.

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McMillan, Gillian. “Treatment of Black Spot #3 by Georgia O'Keeffe.” ICA Newsletter14, 1982, #1, p.3–4.

Mehra, V.R. “Cold-Lining and the Care of the Paint-layer in a Triple-Stretcher System.” ICOM CC 5th Mtg., Zagreb, 1978, 78/2/5.

Mehra, V.R. “Minimizing Strain and Stress in Lining Canvas Paintings.” ICOM CC 6th Mtg., Ottawa, 1981, 81/2/14.

Mecklenburg, Marion F. “Some Aspects of the Mechanical Behavior of Fabric Supported Paintings.” Manuscript, 1982.

Mecklenburg, Marion F. “Structural Analysis of Works of Art Using the Digital Computer.” Abstracts, Symposium for Conservation of Contemporary Art, Ottawa, 1980.

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Copyright ´┐Ż 1984 American Institute of Historic and Artistic Works