REFERENCES

Professor of Painting Conservation and Program Administrator, Conservation of Historic and Artistic Works, Cooperstown Graduate Programs, Cooperstown, New York 13326.

Guillerme, Jacques. L'atelier du temps: Essai sur l'alt�ration des peintures. Paris: Hermann, 1964.

Marijnissen, R. H.Degradation, Conservation et Restauration de l'Oeuvre d'Art, 2 vols. Bruxelles: Editions Arcade, 1967.

Marijnissen. Degradation, Conservation d'Art, Vol. I, p. 28.

Ibid., pp. 34, 35.

Ibid., pp. 35–37.

Marijnissen. Degradation, Conservation d'Art, Vol. II, #86.

Ibid., #174.

Raphael, Bettina. “The Edwards Manuscripts.” (Research work in progress. Smithsonian-Rome Centre Grant, Cooperstown Graduate Programs, 1971.)

Keck, Caroline K. (Courtesy of the Rome Centre, we received a microfilm of the manuscripts compiled by Giovanni Edwards O'Kelles. These were photocopied and have been sketchily translated for references.)

Raphael. Edwards Manuscripts,

Marijnissen. Degradation, Conservation d'Art, Vol. I, pp. 43–44.

Ibid., p. 45.

Ibid., p. 45.

Brommelle, N. “Studies in Conservation,” “Material for a History of Conservation,” Vol. II (1955–6) pp. 176–186.

Marijnissen. Degradation, Conservation d'Art, Vol. II, #239.

Marijnissen. Degradation, Conservation d'Art, Vol. I, p. 45.

Marijnissen. Degradation, Conservation d'Art, Vol. I. p. 62.

Museum, Vol. XIII, no. 3. (Paris: UNESCO, 1960) p. 152.

National Gallery of Canada. Seminar on the Lining of Paintings, Ottawa, April 6–8, 1976. Proceedings edited by MervynRuggles, Head.

National Maritime Museum. Conference on Comparative Lining Techniques, April 22–26, 1974. Greenwich, Great Britain.

Ibid. “Prestretched Low Pressure Lining Methods” (including vacuum envelope), Ronald Chittenden, Gillian Lewis, Westby Percival-Prescott, 20 pages.